Serenade K361 "Gran Partita"

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Serenade K361 "Gran Partita"

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dc.contributor.other Wolfgang Amadeus Mozart es
dc.contributor.other Helmut Hucke es
dc.contributor.other Christian Schneider es
dc.contributor.other Hans Deinzer es
dc.contributor.other Wolfgang Meyer es
dc.contributor.other Jan Engel es
dc.contributor.other Max Engel es
dc.contributor.other Klaus Botzky es
dc.contributor.other Günter Pfitzenmeier es
dc.contributor.other Christoph Brandt-Lindenbaum es
dc.contributor.other Heinrich Alfing es
dc.contributor.other Gustav Kedves es
dc.contributor.other Kathleen Putnam es
dc.contributor.other Paul Breuer es
dc.coverage.spatial New York es
dc.date.accessioned 2012-07-28T23:19:57Z
dc.date.available 2012-07-28T23:19:57Z
dc.date.copyright 1990 es
dc.date.issued 2012-07-28
dc.identifier.uri http://hdl.handle.net/123456789/1255
dc.description.abstract Wolfgang Amadeus Mozart was not only one of the greatest composers of the Classical period, but one of the greatest of all time. Surprisingly, he is not identified with radical formal or harmonic innovations, or with the profound kind of symbolism heard in some of Bach's works. Mozart's best music has a natural flow and irresistible charm, and can express humor, joy or sorrow with both conviction and mastery. His operas, especially his later efforts, are brilliant examples of high art, as are many of his piano concertos and later symphonies. Even his lesser compositions and juvenile works feature much attractive and often masterful music. Mozart was the last of seven children, of whom five did not survive early childhood. By the age of three he was playing the clavichord, and at four he began writing short compositions. Young Wolfgang gave his first public performance at the age of five at Salzburg University, and in January, 1762, he performed on harpsichord for the Elector of Bavaria. There are many astonishing accounts of the young Mozart's precocity and genius. At the age of seven, for instance, he picked up a violin at a musical gathering and sight-read the second part of a work with complete accuracy, despite his never having had a violin lesson. In the years 1763 - 1766, Mozart, along with his father Leopold, a composer and musician, and sister Nannerl, also a musically talented child, toured London, Paris, and other parts of Europe, giving many successful concerts and performing before royalty. The Mozart family returned to Salzburg in November 1766. The following year young Wolfgang composed his first opera, Apollo et Hyacinthus. Keyboard concertos and other major works were also coming from his pen now. In 1769, Mozart was appointed Konzertmeister at the Salzburg Court by the Archbishop. Beginning that same year, the Mozarts made three tours of Italy, where the young composer studied Italian opera and produced two successful efforts, Mitridate and Lucio Silla. In 1773, Mozart was back in Austria, where he spent most of the next few years composing. He wrote all his violin concertos between 1774 and 1777, as well as Masses, symphonies, and chamber works. In 1780, Mozart wrote his opera Idomeneo, which became a sensation in Munich. After a conflict with the Archbishop, Mozart left his Konzertmeister post and settled in Vienna. He received a number of commissions now and took on a well-paying but unimportant Court post. In 1782 Mozart married Constanze Weber and took her to Salzburg the following year to introduce her to his family. 1782 was also the year that saw his opera Die Entführung aus dem Serail staged with great success. In 1784, Mozart joined the Freemasons, apparently embracing the teachings of that group. He would later write music for certain Masonic lodges. In the early- and mid-1780s, Mozart composed many sonatas and quartets, and often appeared as soloist in the fifteen piano concertos he wrote during this period. Many of his commissions were for operas now, and Mozart met them with a string of masterpieces. Le nozze di Figaro came 1786, Don Giovanni in 1787, Così fan tutte in 1790 and Die Zauberflöte in 1791. Mozart made a number of trips in his last years, and while his health had been fragile in previous times, he displayed no serious condition or illness until he developed a fever of unknown origin near the end of 1791. © Robert Cummings, All Music Guide es
dc.description.tableofcontents Serenade No. 10 B flat major K 361 (370a) “Gran Partita”; Largo (Molto allegro), Menuetto (Trio I & II), Adagio, Menuetto (Allegretto- Trio I & II), Romance (Adagio- Allegretto- Adagio), Tema con 6 variazioni, Rondo (Allegro molto)-- es
dc.format.medium 1 CD-Rom. (50:02 min.) Digital; 4 3/4 plg. es
dc.language.iso en es
dc.rights Uninorte F.M.Estéreo es
dc.subject.lcc 054727700422 es
dc.subject.lcsh Music- Computer network resources. es
dc.title Serenade K361 "Gran Partita" es
dc.title.alternative Serenade No. 10 in B flat major K.361 es
dc.title.alternative Serenata K 361 "Gran Partita" es
dc.language.rfc3066 eng es
dc.rights.holder BMG Music es
dc.identifier.classification 054727700422 es
dc.subject.cdu Mo.15 es


Files in this item

Files Length Size Format View Description
1. Serenade No. ... - Largo- Molto allegro.mp3 9:53 9.029Mb Unknown mp3
2. Serenade No. ... Menuetto- Trio I & II.mp3 8:59 8.208Mb Unknown mp3
3. Serenade No. ... ) Gran Partita- Adagio.mp3 5:59 5.474Mb Unknown mp3
4. Serenade No. ... llegretto- Trio I & II.mp3 5:06 4.669Mb Unknown mp3
5. Serenade No. ... io- Allegretto- Adagio.mp3 6:16 5.728Mb Unknown mp3
6. Serenade No. ... Tema con 6 variazioni.mp3 10:02 9.171Mb Unknown mp3
7. Serenade No. ... - Rondo. Allegro molto.mp3 3:38 3.323Mb Unknown mp3
Serenade No. 10 ... Gran Partita- Completo.wav 1000.Mb WAV audio wav

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