Complete Works

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Complete Works

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dc.contributor.other Wolfgang Amadeus Mozart es
dc.contributor.other Nicol Matt es
dc.contributor.other Chamber Orchestra of Europe es
dc.coverage.spatial Germany es
dc.date.accessioned 2012-07-28T23:52:36Z
dc.date.available 2012-07-28T23:52:36Z
dc.date.issued 2012-07-28
dc.identifier.uri http://hdl.handle.net/123456789/1382
dc.description.abstract Wolfgang Amadeus Mozart was not only one of the greatest composers of the Classical period, but one of the greatest of all time. Surprisingly, he is not identified with radical formal or harmonic innovations, or with the profound kind of symbolism heard in some of Bach's works. Mozart's best music has a natural flow and irresistible charm, and can express humor, joy or sorrow with both conviction and mastery. His operas, especially his later efforts, are brilliant examples of high art, as are many of his piano concertos and later symphonies. Even his lesser compositions and juvenile works feature much attractive and often masterful music. Mozart was the last of seven children, of whom five did not survive early childhood. By the age of three he was playing the clavichord, and at four he began writing short compositions. Young Wolfgang gave his first public performance at the age of five at Salzburg University, and in January, 1762, he performed on harpsichord for the Elector of Bavaria. There are many astonishing accounts of the young Mozart's precocity and genius. At the age of seven, for instance, he picked up a violin at a musical gathering and sight-read the second part of a work with complete accuracy, despite his never having had a violin lesson. In the years 1763 - 1766, Mozart, along with his father Leopold, a composer and musician, and sister Nannerl, also a musically talented child, toured London, Paris, and other parts of Europe, giving many successful concerts and performing before royalty. The Mozart family returned to Salzburg in November 1766. The following year young Wolfgang composed his first opera, Apollo et Hyacinthus. Keyboard concertos and other major works were also coming from his pen now. In 1769, Mozart was appointed Konzertmeister at the Salzburg Court by the Archbishop. Beginning that same year, the Mozarts made three tours of Italy, where the young composer studied Italian opera and produced two successful efforts, Mitridate and Lucio Silla. In 1773, Mozart was back in Austria, where he spent most of the next few years composing. He wrote all his violin concertos between 1774 and 1777, as well as Masses, symphonies, and chamber works. In 1780, Mozart wrote his opera Idomeneo, which became a sensation in Munich. After a conflict with the Archbishop, Mozart left his Konzertmeister post and settled in Vienna. He received a number of commissions now and took on a well-paying but unimportant Court post. In 1782 Mozart married Constanze Weber and took her to Salzburg the following year to introduce her to his family. 1782 was also the year that saw his opera Die Entführung aus dem Serail staged with great success. In 1784, Mozart joined the Freemasons, apparently embracing the teachings of that group. He would later write music for certain Masonic lodges. In the early- and mid-1780s, Mozart composed many sonatas and quartets, and often appeared as soloist in the fifteen piano concertos he wrote during this period. Many of his commissions were for operas now, and Mozart met them with a string of masterpieces. Le nozze di Figaro came 1786, Don Giovanni in 1787, Così fan tutte in 1790 and Die Zauberflöte in 1791. Mozart made a number of trips in his last years, and while his health had been fragile in previous times, he displayed no serious condition or illness until he developed a fever of unknown origin near the end of 1791. © Robert Cummings, All Music Guide es
dc.description.tableofcontents CD1-- Volume 8-- Adagio KV 410-- Leck mir den Arsch KV 233-- Lieber Freistädtler KV 232-- Kanon KV 508a/1-- O du eselhafter Martin KV 560b-- Bona nox KV 561-- Kanon KV 508a/2-- Leck mich im Arsch KV 231-- Kanon KV 508a/3-- Kyrie KV 89-- Alleluja KV 553-- Ave Maria KV 554-- Dona nobis pacem KV 109-- Kanon KV 508a/4-- Heiterkeit KV 507-- Hei wenn die Gläser KV 89a-- Kanon KV 508a/5-- Essen trinken KV 234-- Auf das Wohl KV 508-- Kanon KV 508a/6-- Incipe KV 89a II-- Cantate Domino KV 89a II-- Confitebor tibi KV 89a II-- Tebana bella KV 89a II-- Kanon KV 508a/7-- G'rechtelt's enk KV 556-- Gehn wir im Prater KV 558-- Kanon KV 508a/8-- V'amo di core KV 348-- Lacrimosa KV 555-- Caro bell'idol mio KV 562-- Nascoso e il mio sol KV 557-- Difficile lectu KV 559-- Kanon KV 508b-- Seht, Sie ist dahin KV 229-- Selig, selig alle KV 230-- Heil dem Tag KV 347-- Canon for 2 violins, viola and bass KV 191-- Horch, ihr süsses Lied KV 562a-- Lebet wohl KV 228-- Sinkt die Nacht KV 109d-- es
dc.format.medium 1 CD-Rom. (68:06 min.) Digital; 4 3/4 plg. es
dc.language.iso en es
dc.rights Uninorte F.M.Estéreo es
dc.subject.lcc 50288421925400 es
dc.subject.lcsh Canon (Forma musical), Fuga es
dc.title Complete Works es
dc.title.alternative Canons es
dc.title.alternative Cánones es
dc.title.alternative Volume 8- Concert Arias Songs Canons es
dc.title.alternative Volumen 8 - Concierto Arias Cánones canciones es
dc.language.rfc3066 eng es
dc.identifier.classification 5028421263212 es
dc.subject.cdu Mo.38 es


Files in this item

Files Length Size Format View Description
1. Adagio KV 410.wav 1:01 10.31Mb WAV audio wav
2. Leck mir den Arsch KV 233.wav 1:40 16.82Mb WAV audio wav
3. Lieber Freistädtler KV 232.wav 2:14 22.54Mb WAV audio wav
4. Kanon KV 508a-1.wav 1:00 10.15Mb WAV audio wav
5. O du eselhafter Martin KV 560b.wav 2:41 27.08Mb WAV audio wav
6. Bona nox KV 561.wav 1:12 12.16Mb WAV audio wav
7. Kanon KV 508a-2.wav 47 7.983Mb WAV audio wav
8. Leck mich im Arsch KV 231.wav 1:54 19.23Mb WAV audio wav
9. Kanon KV 508a-3.wav 59 9.952Mb WAV audio wav
10. Kyrie KV 89.wav 5:34 56.10Mb WAV audio wav
11. Alleluja KV 553.wav 1:19 13.23Mb WAV audio wav
12. Ave Maria KV 554.wav 1:46 17.75Mb WAV audio wav
13. Dona nobis pacem KV 109.wav 1:06 11.10Mb WAV audio wav
14. Kanon KV 508a- 4.wav 1:15 12.62Mb WAV audio wav
15. Heiterkeit KV 507.wav 1:09 11.59Mb WAV audio wav
16. Hei wenn die Gläser KV 89a.wav 47 7.951Mb WAV audio wav
17. Kanon KV 508a- 5.wav 1:11 11.94Mb WAV audio wav
18. Essen Trinken KV 234.wav 1:21 13.62Mb WAV audio wav
19. Auf das Wohl KV 508.wav 50 8.482Mb WAV audio wav
20. Kanon KV 508a- 6.wav 54 9.089Mb WAV audio wav
21. Incipe KV 89a II.wav 1:52 18.81Mb WAV audio wav
22. Cantate Domino KV 89a II.wav 1:46 17.83Mb WAV audio wav
23. Confitebor tibi KV 89a II.wav 1:42 17.16Mb WAV audio wav
24. Tebana bella KV 89a II.wav 1:01 10.21Mb WAV audio wav
25. Kanon KV 508a- 7.wav 1:20 13.52Mb WAV audio wav
26. G´rechtel's enk KV 556.wav 1:12 12.14Mb WAV audio wav
27. Gehn wir im Prater KV 558.wav 1:56 19.51Mb WAV audio wav
28. Kanon KV 508a- 8.wav 1:18 13.17Mb WAV audio wav
29. V'amo di core KV 348.wav 1:43 17.37Mb WAV audio wav
30. Lacrimosa KV 55.wav 1:49 18.30Mb WAV audio wav
31. Caro bell'idol mio KV 562.wav 1:50 18.50Mb WAV audio wav
32. Nascoso e il mio sol KV 557.wav 2:31 25.48Mb WAV audio wav
33. Difficile lectu KV 559.wav 1:15 12.70Mb WAV audio wav
34. Kanon KV 508b.wav 2:09 21.68Mb WAV audio wav
35. Seht sie ist dahin KV 229.wav 2:12 22.21Mb WAV audio wav
36. Selig selig alle KV 230.wav 2:04 20.92Mb WAV audio wav
37. Heil dem Tag KV 347.wav 1:40 16.82Mb WAV audio wav
38. Canon for 2 violins, Viola and Bass KV 191.wav 1:06 11.02Mb WAV audio wav
39. Horch, ihr süsses Lied KV 562a.wav 59 10.01Mb WAV audio wav
40. Lebet wohl KV 228.wav 59 9.930Mb WAV audio wav
41. Sinkt die Nacht KV 109d.wav 1:24 14.19Mb WAV audio wav

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