Complete Works

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Complete Works

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dc.contributor.other Wolfgang Amadeus Mozart es
dc.contributor.other Marcel Reijans es
dc.contributor.other Francine van der Heijden es
dc.contributor.other Marijje van Stralen es
dc.contributor.other Johannette Zomer es
dc.contributor.other Cécile van de Sant es
dc.contributor.other Yŏng-hŭi Kim es
dc.contributor.other Alexei Grigorev es
dc.contributor.other Erwin Wieringa es
dc.contributor.other Michael Borgstede es
dc.contributor.other Franc Polman es
dc.contributor.other Musica ad Rhenum (Musical group) es
dc.contributor.other Jed Wentz es
dc.coverage.spatial Rotterdam, Netherlands es
dc.date.accessioned 2012-07-29T00:34:58Z
dc.date.available 2012-07-29T00:34:58Z
dc.date.issued 2012-07-28
dc.identifier.uri http://hdl.handle.net/123456789/1532
dc.description.abstract Wolfgang Amadeus Mozart was not only one of the greatest composers of the Classical period, but one of the greatest of all time. Surprisingly, he is not identified with radical formal or harmonic innovations, or with the profound kind of symbolism heard in some of Bach's works. Mozart's best music has a natural flow and irresistible charm, and can express humor, joy or sorrow with both conviction and mastery. His operas, especially his later efforts, are brilliant examples of high art, as are many of his piano concertos and later symphonies. Even his lesser compositions and juvenile works feature much attractive and often masterful music. Mozart was the last of seven children, of whom five did not survive early childhood. By the age of three he was playing the clavichord, and at four he began writing short compositions. Young Wolfgang gave his first public performance at the age of five at Salzburg University, and in January, 1762, he performed on harpsichord for the Elector of Bavaria. There are many astonishing accounts of the young Mozart's precocity and genius. At the age of seven, for instance, he picked up a violin at a musical gathering and sight-read the second part of a work with complete accuracy, despite his never having had a violin lesson. In the years 1763 - 1766, Mozart, along with his father Leopold, a composer and musician, and sister Nannerl, also a musically talented child, toured London, Paris, and other parts of Europe, giving many successful concerts and performing before royalty. The Mozart family returned to Salzburg in November 1766. The following year young Wolfgang composed his first opera, Apollo et Hyacinthus. Keyboard concertos and other major works were also coming from his pen now. In 1769, Mozart was appointed Konzertmeister at the Salzburg Court by the Archbishop. Beginning that same year, the Mozarts made three tours of Italy, where the young composer studied Italian opera and produced two successful efforts, Mitridate and Lucio Silla. In 1773, Mozart was back in Austria, where he spent most of the next few years composing. He wrote all his violin concertos between 1774 and 1777, as well as Masses, symphonies, and chamber works. In 1780, Mozart wrote his opera Idomeneo, which became a sensation in Munich. After a conflict with the Archbishop, Mozart left his Konzertmeister post and settled in Vienna. He received a number of commissions now and took on a well-paying but unimportant Court post. In 1782 Mozart married Constanze Weber and took her to Salzburg the following year to introduce her to his family. 1782 was also the year that saw his opera Die Entführung aus dem Serail staged with great success. In 1784, Mozart joined the Freemasons, apparently embracing the teachings of that group. He would later write music for certain Masonic lodges. In the early- and mid-1780s, Mozart composed many sonatas and quartets, and often appeared as soloist in the fifteen piano concertos he wrote during this period. Many of his commissions were for operas now, and Mozart met them with a string of masterpieces. Le nozze di Figaro came 1786, Don Giovanni in 1787, Così fan tutte in 1790 and Die Zauberflöte in 1791. Mozart made a number of trips in his last years, and while his health had been fragile in previous times, he displayed no serious condition or illness until he developed a fever of unknown origin near the end of 1791. © Robert Cummings, All Music Guide es
dc.description.tableofcontents CD9-- Volume 9-- Opera seria KV 87 ; Recitativo Farnace, Aria Farnace (Son reo- L’error confesso), Recitativo Sifare (Mitridate, Aspasia), Aria Mitridate (Giá di pietá mi spoglio), Recitativi Aspasia (Sifare), Duetto Aspasia (Sifare- Se viver non degg’io) ACT III : Recitativo Mitridate (Aspasia, Ismene), Aria Ismene (Tu sai per chi m’accese), Recitativi Aspasia (Mitridate, Arbate), Aria Mitridate (Vado incontro al fato estremo), Recitativo Aspasia, Recitativo accompanagto e Cavatina Aspasia (Ah ben ne fui presaga!), Recitativi Sifare (Se il rigor d’ingrata sorte), Recitativi Farnace (Marzio), Aria Marzio (Si di regnar sei vago), Recitativo accompanagto Farnace, Aria Farnace (Giá dagli acchi il velo é tolto), Recitativi Mitridate (Sifare, Aspasia, Ismene), Coro Aspasia (Sifare, Ismene, Arbate, Farnace, nom si creda al Campidoglio)-- es
dc.format.medium 1 CD-Rom. (64:39 min.) Digital; 4 3/4 plg. es
dc.language.iso en es
dc.rights Uninorte F.M.Estéreo es
dc.subject.lcc 50288421925400 es
dc.subject.lcsh Operas es
dc.title Complete Works es
dc.title.alternative Mitridate, Rè Di Ponto Part 3 Opera seria KV 87 es
dc.title.alternative Mitrídates, rey del Ponto la ópera seria KV 87 parte 3 es
dc.title.alternative Volume 9- Operas es
dc.title.alternative Volumen 9- Óperas es
dc.language.rfc3066 eng es
dc.rights.holder HNH International Ltd. es
dc.identifier.classification 5028421263397 es
dc.subject.cdu Mo.38 es


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