The Company of Heaven Ballad of Heroes Praise We Great Man

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The Company of Heaven Ballad of Heroes Praise We Great Man

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dc.contributor.other Benjamín Britten es
dc.contributor.other London Philharmonic Choir es
dc.contributor.other Richard Cooke es
dc.contributor.other Christopher Herrick es
dc.contributor.other Cathryn Pope es
dc.contributor.other City of Birmingham Symphony Chorus es
dc.contributor.other Simon Halsey es
dc.contributor.other Robert Tear es
dc.contributor.other Willard White es
dc.contributor.other Alison Hargan es
dc.contributor.other Mary King es
dc.coverage.spatial England es
dc.date.accessioned 2012-07-29T05:29:46Z
dc.date.available 2012-07-29T05:29:46Z
dc.date.copyright 2008 es
dc.date.issued 2012-07-29
dc.identifier.uri http://hdl.handle.net/123456789/1751
dc.description.abstract With the arrival of Benjamin Britten on the international music scene, many felt that English music gained its greatest genius since Purcell. A composer of wide-ranging talents, Britten found in the human voice an especial source of inspiration, an affinity that resulted in a remarkable body of work, ranging from operas like Peter Grimes (1944-1945) and Death in Venice (1973) to song cycles like the Serenade for tenor, horn, and strings (1943) to the massive choral work War Requiem (1961). He also produced much music for orchestra and chamber ensembles, including symphonies, concerti, and chamber and solo works. Britten's father was a prosperous oral surgeon in the town of Lowestoft, Suffolk; his mother was a leader in the local choral society. When Benjamin's musical aptitude became evident, the family engaged composer Frank Bridge to supervise his musical education. Bridge's tutelage was one of the formative and lasting influences on Britten's compositional development; Britten eventually paid tribute to his teacher in his Op. 10, the Variations on a Theme by Frank Bridge (1937). Britten's formal training also included studies at the Royal College of Music (1930-1933). Upon graduation from the RCM, Britten obtained a position scoring documentaries (on prosaic themes like "Sorting Office") for the Royal Post Office film unit. Working on a tight budget, he learned how to extract the maximum variety of color and musical effectiveness from the smallest combinations of instruments, producing dozens of such scores from 1935 to 1938. He rapidly emerged as the most promising British composer of his generation and entered into collaborative relationships that exerted a profound influence upon his creative life. Among the most important of his professional associates were literary figures like W.H. Auden, and later, E.M. Forster. None, however, played as central a role in Britten's life as the tenor Peter Pears, who was Britten's closest intimate, both personally and professionally, from the late '30s to the composer's death. Pears' voice inspired a number of Britten's vocal cycles and opera roles, and the two often joined forces in song recitals and, from 1948, in the organization and administration of the Aldeburgh Festival. A steadfast pacifist, Britten left England in 1939 as war loomed over Europe. He spent four years in the United States and Canada, his compositional pace barely slackening, as evidenced by the production of works like the Sinfonia da Requiem (1940), the song cycle Seven Sonnets of Michelangelo (1940), and his first effort for the stage, Paul Bunyan (1940-1941). Eventually, the poetry of George Crabbe drew Britten back to England. With a Koussevitzky Commission backing him, the composer wrote the enormously successful opera Peter Grimes (1944-45), which marked the greatest turning point in his career. His fame secure, Britten over the next several decades wrote a dozen more operas, several of which—Albert Herring (1947), Billy Budd (1951), The Turn of the Screw (1954), A Midsummer Night's Dream (1960), Death in Venice (1973)—became instant and permanent fixtures of the repertoire. He also continued to produce much vocal, orchestral, and chamber music, including Songs and Proverbs of William Blake (1965), the three Cello Suites (1961-1964) and the Cello Symphony (1963), written for Mstislav Rostropovich, and the Third String Quartet (1975). Britten suffered a stroke during heart surgery in 1971, which resulted in something of a slowdown in his creative activities. Nonetheless, he continued to compose until his death in 1976, by which time he was recognized as one of the principal musical figures of the twentieth century. © Michael Rodman, All Music Guide es
dc.description.tableofcontents The company of heaven / Ellis Roberts Part one: Before the creation ; I Chaos, II The morning stars-- The company of heaven / Ellis Roberts Part two: Angels in scripture ; III Angels appear to Jacob (Elisha and Mary), IV Chist the fair glory, V War in heaven-- The company of heaven / Ellis Roberts Part three: Angels in common life and at our death ; VI Heaven is here, VII A thousand thousand gleaming fires, VIII Funeral march for a boy, IX Whoso dwelleth under the defence of the most high, X There came out also at this time, XI Ye watchers and ye holy ones / Peter Barkworth, Sheila Allen narrators, Cathryn Pope soprano, Dan Dressen tenor, Chistopher Herrick organ-- Ballad of heroes Op. 14 / Randall Swingler and W.H. Auden ; I Funeral march, II Scherzo, III Recitative and choral-- Praise we great men / Colin Matthews ; ʻPraise we great menʼ, ʻPraise we the justʼ, Coda / Alison Hargan soprano, Mary King contralto, Robert Tear tenor, Willard White bass-- es
dc.format.medium 1 CD Rom (73 min., 14 seg.) : Stereo ; 4 3/4 plg es
dc.language.iso en_US es
dc.rights Uninorte fm stereo es
dc.subject.lcc 517545941 es
dc.title The Company of Heaven Ballad of Heroes Praise We Great Man es
dc.title.alternative The Company of Heaven Ballad of Heroes Praise We Great Man es
dc.language.rfc3066 eng es
dc.rights.holder EMI Records Ltd. es
dc.identifier.classification 5099921752629 es
dc.subject.cdu Bri.03 es


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Files Length Size Format View Description
1 - 2. The comp ... re creation - Completo.wav 9:33 96.32Mb WAV audio wav
3 - 5. The comp ... n scripture - Completo.wav 12:28 125.9Mb WAV audio wav
6 - 11. The com ... t our death - Completo.wav 27:14 274.9Mb WAV audio wav
12 - 14. Ballad of heroes Op.14 - Completo.wav 16:02 161.7Mb WAV audio wav
15 - 17. Praise we great men - Completo.wav 6:57 70.12Mb WAV audio wav

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