The Complete Piano Trios

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The Complete Piano Trios

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dc.contributor.other Robert Schumann es
dc.contributor.other Beaux Arts Trio es
dc.contributor.other Samuel Rhodes es
dc.contributor.other Dolf Bettelheim es
dc.coverage.spatial Amsterdam - Holland es
dc.date.accessioned 2012-07-28T02:14:48Z
dc.date.available 2012-07-28T02:14:48Z
dc.date.copyright 1997 es
dc.date.issued 2012-07-27
dc.identifier.uri http://hdl.handle.net/123456789/247
dc.description.abstract Begun on October 24, 1842, the Piano Quartet in E flat major, Op. 47, was completed within a month. Schumann played through the work with friends early in December, but it was not published until 1845. Although Schumann started composing the Quartet in E flat major only a few days after completing the Quintet in E flat major, Op. 44, the two works could not be more different; the (slightly) later work is actually the more traditional, especially in Schumann's use of counterpoint. Schumann seems to have been more comfortable with the intimate instrumentation of the chamber works than he was with the full orchestra. However, the chamber works, aside from the string quartets, are piano driven, with the strings either following the keyboard part or acting in opposition to it as a unified choir. In the Piano Quartet in E flat major, Op. 47, thematic links between movements are heard, as well as Schumann's tendency for protracted development of material, resulting in large structures. Schumann's arrangement of the movements (the Scherzo is second, the slow movement third) suggests a nod to Beethoven, as does the opening of the first movement, Sostenuto assai - Allegro ma non troppo. The introduction is static, non-thematic, and is reduced to its primary melodic feature—a falling/rising whole step—at the very beginning of the Allegro tempo. The second part of the introduction appears a moment later. The overall effect is similar to that of Beethoven's String Quartet, Op. 127, also in E flat major. The staccato scales accompanying the broad secondary theme reflect Schumann's increasing study of counterpoint, while the large-scale sonata form is extended through development in the recapitulation. The Scherzo boasts two trio sections. The second of these features Schumann's predilection for destroying the bar line through syncopation so strong and consistent that the listener feels the downbeat in the wrong place. The piano is chiefly responsible for this "illusion," with block chords on the third beat of the measure that are tied through the first two beats of the next. The rhythm is reinforced in every other measure by a similar chord in the three string instruments, the entire passage providing an effective contrast to the nimble eighth notes of the Scherzo section. Marked Andante cantabile and in ternary form, the third movement is notable for a passage in which Schumann directs the cellist to tune the instrument's C string down a step to B flat, enabling it to play a B flat pedal tone under staccato scales in the viola and violin. Throughout the opening section, the piano's role is chiefly accompanimental, providing repeated chords to support the melodic material shared by the cello and viola. At the shift to G flat major of the central section, however, the piano part becomes more linear. When the opening section returns, the melody appears in the viola part over a more active piano accompaniment and below a fleeting violin obbligato line that anticipates the first idea of the Finale. Schumann's Finale, in sonata form, opens like a fugue. After an introductory outburst, the viola states the lively theme, which is next taken up by the piano on the dominant, and next by the violin. In a free rondo form, the Finale features a lengthy closing section, often referred to as a coda, that is a developmental extension of the primary material. es
dc.description.tableofcontents CD1 Piano quintet in E flat Op. 44 ; Allegro brillante, In modo dʼ una marcia (Un poco largamente), Scherzo (Molto vivace), Allegro (Ma non troppo)-- Piano quartet in E flat Op. 47 ; Sostenuto assai (Allegro ma non troppo), Scherzo (Molto vivace), Andante cantábile, Finale (Vivace)-- Piano trio N° 1 in D minor Op. 63 ; Mit energie und leidenschaft, Lebhaft (Doch nicht zu rasch)-- CD2 Piano trio N° 1 in D minor Op. 63 (cont.) ; Langsam (Mit inniger empfindung), Mit feuer-- Piano trio N° 2 in F Op. 80 ; Sehr lebhaft, Mit innigem ausdruck, In mäßiger bewegung, Nicht zu rasch-- Piano trio N° 3 in G minor Op. 110 ; Bewegt (Doch nicht zu rasch), Ziemlich langsam, Rasch, Kräfting (mit humor)-- es
dc.format.medium 2 CD Rom : Stereo ; 4 3/4 plg es
dc.language.iso en_US es
dc.rights Uninorte fm stereo es
dc.subject.lcc 38953970 es
dc.subject.lcsh Piano quintets, Piano quartets, Piano trios, Quintettes pour piano, Quatuors pour piano, Trios pour piano es
dc.title The Complete Piano Trios es
dc.title.alternative The Complete Piano Trios es
dc.language.rfc3066 eng es
dc.rights.holder Philips Classics es
dc.identifier.classification 028945632322 es
dc.subject.cdu Schu.07 es


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Files Length Size Format View Description
1. Piano quinte ... 44 - Allegro brillante.mp3 8:48 12.06Mb Unknown mp3
2. Piano quinte ... a (Un poco largamente).mp3 8:49 12.08Mb Unknown mp3
3. Piano quinte ... Scherzo (Molto vivace).mp3 4:37 6.339Mb Unknown mp3
4. Piano quinte ... llegro (Ma non troppo).mp3 6:58 9.550Mb Unknown mp3
5. Piano quarte ... Allegro ma non troppo).mp3 9:14 12.66Mb Unknown mp3
6. Piano quarte ... Scherzo (Molto vivace).mp3 3:34 4.904Mb Unknown mp3
7. Piano quarte ... 47 - Andante cantabile.mp3 7:39 10.49Mb Unknown mp3
8. Piano quarte ... . 47 - Finale (Vivace).mp3 7:36 10.43Mb Unknown mp3
9. Piano trio N ... ergie und leidenschaft.mp3 11:11 15.34Mb Unknown mp3
10. Piano trio ... (Doch nicht zu rasch).mp3 4:26 6.085Mb Unknown mp3
Piano quintet in E flat Op. 44 - Completo.wav 29:01 292.8Mb WAV audio wav
Piano quartet in E flat Op. 47 - Completo.wav 27:53 281.5Mb WAV audio wav
Piano trio N° 1 in D minor Op. 63 - Completo.wav 15:34 157.0Mb WAV audio wav
1 - 2. Piano tr ... empfindung, mit feur).mp3 13:52 19.02Mb Unknown mp3
3. Piano trio N° 2 in F Op. 80 - Sehr lebhaft.mp3 7:18 10.00Mb Unknown mp3
4. Piano trio N ... - Mit innigem ausdruck.mp3 7:40 10.52Mb Unknown mp3
5. Piano trio N ... - In mäßiger bewegung.mp3 5:45 7.894Mb Unknown mp3
6. Piano trio N ... p. 80 - Nicht zu rasch.mp3 5:41 7.790Mb Unknown mp3
7. Piano trio N ... (Doch nicht zu rasch).mp3 9:53 13.55Mb Unknown mp3
8. Piano trio N ... 110 - Ziemlich langsam.mp3 5:43 7.844Mb Unknown mp3
9. Piano trio N° 3 in G minor Op. 110 - Rasch.mp3 3:51 5.286Mb Unknown mp3
10. Piano trio ... - Kräfting (mit humor).mp3 7:21 10.08Mb Unknown mp3
Piano trio N° 1 ... 63 (cont.) - Completo.wav 13:50 139.6Mb WAV audio wav
Piano trio N° 2 in F Op. 80 - Completo.wav 26:15 265.0Mb WAV audio wav
Piano trio N° 3 in G minor Op. 110 - Completo.wav 26:37 268.7Mb WAV audio wav

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