Don Carlo

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Don Carlo

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dc.contributor.other Giuseppe Verdi es
dc.contributor.other Nicolai Ghiaurov es
dc.contributor.other Bruno Prevedi es
dc.contributor.other Piero Cappuccilli es
dc.contributor.other Fiorenza Cossotto es
dc.contributor.other Martti Talvela es
dc.contributor.other Rita Orlandi-Malaspina es
dc.contributor.other Antonio Zerbini es
dc.contributor.other Maria Casula es
dc.contributor.other Gianfranco Manganotti es
dc.contributor.other Piero de Palma es
dc.contributor.other Margherita Guglielmi es
dc.contributor.other Orchestra & Chorus of La Scala es
dc.contributor.other Claudio Abbado es
dc.coverage.spatial Milan, Italy es
dc.date.accessioned 2012-11-01T23:09:59Z
dc.date.available 2012-11-01T23:09:59Z
dc.date.copyright 2000
dc.date.issued 2012-11-01
dc.identifier.uri http://hdl.handle.net/123456789/2496
dc.description.abstract Giuseppe Verdi was to opera in the Italian tradition what Beethoven was to the symphony. When he arrived on the scene some had suggested that effective opera after Rossini was not possible. Verdi, however, took the form to new heights of drama and musical expression. Partisans see him as at least the equal of Wagner, even though his style and musical persona were of an entirely different cast. In the end, both Verdi's popular vein—as heard in the operas Rigoletto, Il trovatore, and La traviata—and his deeper side—found in Aida, Otello, and Falstaff—demonstrate his mastery and far-reaching development of Italian opera. Verdi showed talent by the age of seven and even played organ at a local church. Around this time he was given an old piano, which he quickly learned to play with proficiency. He moved to Busseto in 1823 and began study the following year with Ferdinando Provesi. By age 15 he had become an assistant church organist and had already started composing. Beginning in 1832, he studied privately with Vincenzo Lavigna in Milan, after the Conservatory there turned him away. He returned to Busseto and married Margherita Barezzi in 1836. Having achieved publication of some songs, he moved to Milan in 1839 and composed his first opera, Oberto. It was a success, though his next effort, Un giorno di regno, was an abject failure. Worse, Verdi's wife died during its composition. (Their two children had died in the previous two years.) Stunned and depressed, the composer struggled on to rebound with Nabucco (1842) and I lombardi (1843). Macbeth, Luisa Miller, and other operas came in the 1840s, most with great success. Around 1847, Verdi developed a relationship with soprano Giuseppina Strepponi and the two lived together for many years on Verdi's farm, Sant'Agata, before finally marrying in 1859. In the period 1851-1853, the composer wrote three of his most popular operas. Rigoletto (1851) and Il trovatore (1853) were instant successes, but La traviata (1853) was a disappointment at its premiere, though a year later, with minor revisions, it was warmly received. After an extended excursion to Paris in 1853, Verdi returned to Busseto and turned out Simon Boccanegra (1857) and Un ballo in maschera (1859), both embroiling him in politics, an activity he was already immersed in, since he served in the local parliament and later in national parliament as senator. In St. Petersburg, Verdi's La forza del destino premiered in 1862 and Don Carlos in Paris in 1867. Having relocated to Genoa, Verdi composed Aida in the years 1870-1871. Its Cairo premiere in 1871 was a success, but the composer then gave up opera, at least for a time. His String Quartet (1873) and Requiem (1874) showed his creative juices were still very much alive. His next opera, Otello, came finally in 1886, Verdi working slowly and getting sidetracked revising earlier operas. One more opera came from his pen, Falstaff, in 1893, which scored a stunning success. Critical opinion has it that his last three operas are his finest, that the elderly composer became bolder and more imaginative in his later years. In these later years, Verdi also worked to found a hospital and, in Milan, a home for retired musicians. In 1897, Giuseppina Verdi died and the composer thereafter lived at the Grand Hotel in Milan, finding companionship with retired soprano Teresa Stolz. A year later, his Quatro pezzi sacri premiered in Paris. This would be the composer's last work. On January 21, 1901, Verdi suffered a stroke and died six days later. © Robert Cummings, All Music Guide es
dc.description.tableofcontents CD1-- Carlo il sommo imperatore, Io l’ho perduta!...Io la vidi, É lui!...desso, l’infante!, Dio che nell’alma infondere, Sotto ai folti immensi abeti, Nei giardin del bello, La Regina!, Che mai si fa nel suo francese, Carlo ch’è sol il nostro amore, Io vengo a domandar grazia, Il Re! Perchè sola è la Regina?, Non pianger mia compagna, Restate! Presso all mia persona, O Signor di Fiandra arrivo, Quest’è la pace, Osò lo sguardo tuo penetrar-- CD2-- Act Two ; A mezzanotte Ai giardin della Regina, Ed io che tremava al suo aspetto!, Spuntato ecco il dì d’esultanza, Schiusa or sia la porta del tempio!, Nel posar sul mo capo la corona, Sire! Elgi è tempo ch’io viva, O ciel! Tu! Rodrigo!-- Act Three ; Ella giammai m’amò, Il Grande Inquisitor!, Giustizia! O Sire! Ho fe’, Pietà! Perdon!, O don fatal o don crudel-- CD3-- Son iomio Carlo, Per me giunto è il dì supremo, Io morrò ma lieto in core, Mio Carlo a te la spada io rendo-- Act Four ; Tu che le vanità conoscesti, È dessa!-- es
dc.format.extent CD 1 (60:02 min) ; CD 2 (58:50 min) ; CD 3 (46:47 min) es
dc.format.medium 3 CD-Rom : Stereo ; 4 3/4 plg. es
dc.language.iso en_US es
dc.rights Uninorte F.M Estéreo es
dc.subject.lcc 46805486 es
dc.subject.lcsh Operas es
dc.title Don Carlo es
dc.title.alternative Don Carlo Opera in Four Acts es
dc.title.alternative Don Carlo Opera en Cuatro Actos es
dc.language.rfc3066 eng es
dc.rights.holder Allegro Corporation es
dc.identifier.classification 723723789426 es
dc.subject.cdu Ve.09 es


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Files Length Size Format View Description
Don Carlo - Act One.wav 1:01:01 615.9Mb WAV audio wav
Don Carlo - Act Two.wav 33:51 341.6Mb WAV audio wav
Don Carlo - Act Three.wav 51:04 515.5Mb WAV audio wav
Don Carlo - Act Four.wav 20:38 208.2Mb WAV audio wav

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