The Complete Piano Sonatas

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The Complete Piano Sonatas

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dc.contributor.other Ludwig van Beethoven es
dc.contributor.other Daniel Barenboim es
dc.coverage.spatial London, England es
dc.date.accessioned 2013-02-06T15:45:35Z
dc.date.available 1989
dc.date.available 2013-02-06T15:45:35Z
dc.date.copyright 1998
dc.date.issued 2013-02-06
dc.identifier.uri http://hdl.handle.net/123456789/2716
dc.description.abstract The events of Beethoven's life are the stuff of Romantic legend, evoking images of the solitary creator shaking his fist at Fate and finally overcoming it through a supreme effort of creative will. Born in the small German city of Bonn on or around December 16, 1770, he received his early training from his father and other local musicians. As a teenager, he earned some money as an assistant to his teacher, Christian Gottlob Neefe, then was granted half of his father's salary as court musician from the Electorate of Cologne in order to care for his two younger brothers as his father gave in to alcoholism. Beethoven played viola in various orchestras, becoming friends with other players such as Antoine Reicha, Nikolaus Simrock, and Franz Ries, and began taking on composition commissions. As a member of the court chapel orchestra, he was able to travel some and meet members of the nobility, one of whom, Count Ferdinand Waldstein, would become a great friend and patron to him. Beethoven moved to Vienna in 1792 to study with Haydn; despite the prickliness of their relationship, Haydn's concise humor helped form Beethoven's style. His subsequent teachers in composition were Johann Georg Albrechtsberger and Antonio Salieri. In 1794, he began his career in earnest as a pianist and composer, taking advantage whenever he could of the patronage of others. Around 1800, Beethoven began to notice his gradually encroaching deafness. His growing despondency only intensified his antisocial tendencies. However, the Symphony No. 3, "Eroica," of 1803 began a sustained period of groundbreaking creative triumph. In later years, Beethoven was plagued by personal difficulties, including a series of failed romances and a nasty custody battle over a nephew, Karl. Yet after a long period of comparative compositional inactivity lasting from about 1811 to 1817, his creative imagination triumphed once again over his troubles. Beethoven's late works, especially the last five of his 16 string quartets and the last four of his 32 piano sonatas, have an ecstatic quality in which many have found a mystical significance. Beethoven died in Vienna on March 26, 1827. Beethoven's epochal career is often divided into early, middle, and late periods, represented, respectively, by works based on Classic-period models, by revolutionary pieces that expanded the vocabulary of music, and by compositions written in a unique, highly personal musical language incorporating elements of contrapuntal and variation writing while approaching large-scale forms with complete freedom. Though certainly subject to debate, these divisions point to the immense depth and multifariousness of Beethoven's creative personality. Beethoven profoundly transformed every genre he touched, and the music of the nineteenth century seems to grow from his compositions as if from a chrysalis. A formidable pianist, he moved the piano sonata from the drawing room to the concert hall with such ambitious and virtuosic middle-period works as the "Waldstein" (No. 21) and "Appassionata" (No. 23) sonatas. His song cycle An die ferne Geliebte of 1816 set the pattern for similar cycles by all the Romantic song composers, from Schubert to Wolf. The Romantic tradition of descriptive or "program" music began with Beethoven's "Pastoral" Symphony No. 6. Even in the second half of the nineteenth century, Beethoven still directly inspired both conservatives (such as Brahms, who, like Beethoven, fundamentally stayed within the confines of Classical form) and radicals (such as Wagner, who viewed the Ninth Symphony as a harbinger of his own vision of a total art work, integrating vocal and instrumental music with the other arts). In many ways revolutionary, Beethoven's music remains universally appealing because of its characteristic humanism and dramatic power. © AMG, All Music Guide es
dc.description.tableofcontents CD10-- Sonata No. 30 in E major Op. 109 ; I Vivace ma non troppo (Adagio espressivo, Tempo I), II Prestissimo, III Tema (Andante molto cantabile e espressivo, Variazioni 1-6)-- Sonata No. 31 in A flat major Op. 110 ; I Moderato cantabile molto espressivo, II Allegro molto, III Adagio ma non troppo, IV Fuga (Allegro ma non troppo, L’istesso tempo di arioso, L’istesso tempo della Fuga, Meno allegro)-- Sonata No. 32 in C minor Op. 111 ; I Maestoso (Allegro con brio ed appassionato), II Arietta (Adagio molto semplice e cantabile, Variazioni)-- es
dc.format.extent 74:40 min. es
dc.format.medium 1 CD Rom (74 min., 40 seg) : Stereo 4 3/4 plg es
dc.language.iso en_US es
dc.rights Uninorte F.M Estéreo es
dc.subject.lcc 42522925 es
dc.subject.lcsh Sonatas (Piano) es
dc.title The Complete Piano Sonatas es
dc.title.alternative Die Sämtliche Klaviersonaten es
dc.title.alternative Les Sonates Pour Piano es
dc.title.alternative Las Sonatas Completas para Piano es
dc.title.alternative No. 30 E major Op. 109 : No. 31 A flat major Op. 110 : No. 32 C minor Op. 111 es
dc.language.rfc3066 eng es
dc.rights.holder EMI Records Ltd. es
dc.identifier.classification 724357291224 es
dc.subject.cdu Bee.40 es


Files in this item

Files Length Size Format View Description
1. & 2. Sonata ... I Allegro - II Adagio.mp3 7:14 9.921Mb MPEG Audio mp3
3. Sonata No. 3 ... sivo) - Variazioni 1-6.mp3 13:56 19.12Mb MPEG Audio mp3
4. Sonata No. 3 ... ile (molto espressivo).mp3 8:35 11.77Mb MPEG Audio mp3
5. Sonata No. 3 ... 110 - II Allegro molto.mp3 2:26 3.335Mb MPEG Audio mp3
6. Sonata No. 3 ... I Adagio ma non troppo.mp3 4:38 6.350Mb MPEG Audio mp3
7. Sonata No. 3 ... Allegro ma non troppo).mp3 8:14 11.28Mb MPEG Audio mp3
8. Sonata No. 3 ... brio ed appassionato).mp3 9:44 13.34Mb MPEG Audio mp3
9. Sonata No. 3 ... antabile) - Variazioni.mp3 19:31 26.76Mb MPEG Audio mp3
Sonata No. 30 in E major Op. 109 - Completo.wav 21:08 213.3Mb WAV audio wav
Sonata No. 32 in C minor Op. 111 - Completo.wav 29:11 294.6Mb WAV audio wav
Sonata No. 31 i ... jor Op. 110 - Completo.wav 23:44 239.4Mb WAV audio wav

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