The Sibelius Edition

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The Sibelius Edition

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dc.contributor.other Jean Sibelius es
dc.contributor.other YL Male Voice Choir es
dc.contributor.other Lahti Boy's Choir es
dc.contributor.other Stina Ekblad es
dc.contributor.other Jubilate Choir es
dc.contributor.other Dominante Choir es
dc.contributor.other Tommi Hakala es
dc.contributor.other MariAnne Häggander es
dc.contributor.other Jorma Hynninen es
dc.contributor.other Helena Juntunen es
dc.contributor.other Tytti Vänskä es
dc.contributor.other Lahti Symphony Orchestra es
dc.contributor.other Osmo Vänskä es
dc.contributor.other Gothenburg Symphony Orchestra es
dc.contributor.other Jorma Panula es
dc.coverage.spatial Lahti, Finland es
dc.date.accessioned 2013-02-14T15:23:35Z
dc.date.available 2007
dc.date.available 2013-02-14T15:23:35Z
dc.date.copyright 2007
dc.date.issued 2013-02-14
dc.identifier.uri http://hdl.handle.net/123456789/2753
dc.description.abstract Finland's Jean Sibelius is perhaps the most important composer associated with nationalism in music and one of the most influential in the development of the symphony and symphonic poem. Sibelius was born in southern Finland, the second of three children. His physician father left the family bankrupt, owing to his financial extravagance, a trait that, along with heavy drinking, he would pass on to Jean. Jean showed talent on the violin and at age nine composed his first work for it, Rain Drops. In 1885 Sibelius entered the University of Helsinki to study law, but after only a year found himself drawn back to music. He took up composition studies with Martin Wegelius and violin with Mitrofan Wasiliev, then Hermann Csillag. During this time he also became a close friend of Busoni. Though Sibelius auditioned for the Vienna Philharmonic Orchestra, he would come to realize he was not suited to a career as a violinist. In 1889 Sibelius traveled to Berlin to study counterpoint with Albert Becker, where he also was exposed to new music, particularly that of Richard Strauss. In Vienna he studied with Karl Goldmark and then Robert Fuchs, the latter said to be his most effective teacher. Now Sibelius began pondering the composition of the Kullervo Symphony, based on the Kalevala legends. Sibelius returned to Finland, taught music, and in June 1892, married Aino Järnefelt, daughter of General Alexander Järnefelt, head of one of the most influential families in Finland. The premiere of Kullervo in April 1893 created a veritable sensation, Sibelius thereafter being looked upon as the foremost Finnish composer. The Lemminkäinen suite, begun in 1895 and premiered on April 13, 1896, has come to be regarded as the most important music by Sibelius up to that time. In 1897 the Finnish Senate voted to pay Sibelius a short-term pension, which some years later became a lifetime conferral. The honor was in lieu of his loss of an important professorship in composition at the music school, the position going to Robert Kajanus. The year 1899 saw the premiere of Sibelius' First Symphony, which was a tremendous success, to be sure, but not quite of the magnitude of that of Finlandia (1899; rev. 1900). In the next decade Sibelius would become an international figure in the concert world. Kajanus introduced several of the composer's works abroad; Sibelius himself was invited to Heidelberg and Berlin to conduct his music. In March 1901, the Second Symphony was received as a statement of independence for Finland, although Sibelius always discouraged attaching programmatic ideas to his music. His only concerto, for violin, came in 1903. The next year Sibelius built a villa outside of Helsinki, named "Ainola" after his wife, where he would live for his remaining 53 years. After a 1908 operation to remove a throat tumor, Sibelius was implored to abstain from alcohol and tobacco, a sanction he followed until 1915. It is generally believed that the darkening of mood in his music during these years owes something to the health crisis. Sibelius made frequent trips to England, having visited first in 1905 at the urging of Granville Bantock. In 1914 he traveled to Norfolk, CT, where he conducted his newest work The Oceanides. Sibelius spent the war years in Finland working on his Fifth Symphony. Sibelius traveled to England for the last time in 1921. Three years later he completed his Seventh Symphony, and his last work was the incidental music for The Tempest (1925). For his last 30 years Sibelius lived a mostly quiet life, working only on revisions and being generally regarded as the greatest living composer of symphonies. In 1955 his 90th birthday was widely celebrated throughout the world with many performances of his music. Sibelius died of a cerebral hemorrhage in 1957. © Robert Cummings, All Music Guide es
dc.description.tableofcontents CD4-- Athenarnes Sång (Song of the Athenians) Op. 31 No. 3 arranged by the composer for unison boy’s and men’s voices, brass septet and percussion (Alla marcia, ma moderato)-- Snöfrid Op. 29 Improvisation for recitation mixed chorus and orchestra (Allegro molto, Andantino, Melodrama Pesante, Andante ma non troppo lento)-- Impromptu Op. 19 for women’s chorus and orchestra (In tempo d’un valse lente)-- Tulen sunty (The Origin of Fire) Op. 32 for baritone male-voice choir and orchestra (Poco adagio ma non troppo lento, Moderato, Adagio, Allegro moderato, Largamente)-- Se’n har jag ej frågar mera Op. 17 No. 1 (Since then I have questioned no further) for voice and orchestra (Grave)-- Höstkväll (autumn Evening) Op. 38 No. 1 for voice and full orchestra (Andante patetico)-- På verandan vid havet (On a Balcony by the Sea) Op. 38 No. 2 for voice and orchestra (Grave)-- I Natten (In the Night) Op. 38 No. 3 for voice and orchestra (Andante)-- Har du mod? (Have You Courage?) Op. 31 No. 2 for male-voice choir and orchestra (Marciale)-- Höstkväll (Autumn Evening) Op. 38 No. 1 for voice and string orchestra (Andante patetico)-- Vapautettu kuningatar (The Captive Queen) Op. 48 Ballade for mixed chorus and orchestra (Allegro molto moderato)-- Grevinnans konterfej (The Countess’s Portrait) JS 88 for recitation and orchestra (Andante)-- Impromptu Op. 19 for women’s chorus and orchestra (Andante)-- es
dc.format.extent 76:11 min. es
dc.format.medium 1 CD Rom (76 min., 11 seg) : Stereo 4 3/4 plg es
dc.language.iso en_US es
dc.rights Uninorte F.M Estéreo es
dc.subject.lcc 186507973 es
dc.subject.lcsh Choruses, Secular, with Orchestra es
dc.title The Sibelius Edition es
dc.title.alternative Voice & Orchestra es
dc.title.alternative Voice & Orchestra Disc 4 es
dc.title.alternative Voice & Orchestra Volume 3 es
dc.title.alternative The Complete Music for Voice and Orchestra es
dc.title.alternative Cantatas : Melodramas : Orchestral Songs es
dc.title.alternative La Edición Sibelius es
dc.title.alternative Voz y Orquesta es
dc.title.alternative La Música Completa para Voz y Orquesta es
dc.language.rfc3066 eng es
dc.rights.holder BIS Records AB es
dc.identifier.classification 7318591906087 es
dc.subject.cdu Si.07 es


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Files Length Size Format View Description
1. Athenarnes S ... thenians) Op. 31 No. 3.wav 3:29 35.14Mb WAV audio wav
2. Snöfrid Op. 29.wav 14:15 143.8Mb WAV audio wav
3. Impromptu Op ... empo d’un valse lente).wav 5:30 55.52Mb WAV audio wav
4. Tulen sunty (The Origin of Fire) Op. 32.wav 11:22 114.7Mb WAV audio wav
5. Se’n har jag ej frågar mera Op. 17 No. 1.wav 1:56 19.51Mb WAV audio wav
6. Höstkväll (a ... tra (Andante patetico).wav 4:31 45.60Mb WAV audio wav
7. På verandan ... and orchestra (Grave).wav 3:11 32.13Mb WAV audio wav
8. I Natten (In ... nd orchestra (Andante).wav 3:40 37.01Mb WAV audio wav
9. Har du mod ( ... d orchestra (Marciale).wav 1:40 16.90Mb WAV audio wav
10. Höstkväll ( ... tra (Andante patetico).wav 4:57 50.04Mb WAV audio wav
11. Vapautettu ... llegro molto moderato).wav 9:18 93.87Mb WAV audio wav
12. Grevinnans ... nd orchestra (Andante).wav 3:34 36.02Mb WAV audio wav
13. Impromptu O ... nd orchestra (Andante).wav 7:00 70.63Mb WAV audio wav

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