The Complete Chamber Music

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The Complete Chamber Music

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dc.contributor.other George Frideric Handel es
dc.contributor.other Academy Chamber Ensemble es
dc.coverage.spatial London, England es
dc.date.accessioned 2013-05-27T16:19:40Z
dc.date.available 1984
dc.date.available 2013-05-27T16:19:40Z
dc.date.copyright 2002
dc.date.issued 2013-05-27
dc.identifier.uri http://hdl.handle.net/123456789/2994
dc.description.abstract Most music lovers have encountered George Frederick Handel through holiday-time renditions of the Messiah's "Hallelujah" chorus. And many of them know and love that oratorio of Christ's life and death, as well as a few other greatest hits like the orchestral Water Music and Royal Fireworks Music, and perhaps Judas Maccabeus or one of the other English oratorios. Yet his operas, for which he was widely known in his own time, are the province mainly of specialists in Baroque music, and the events of his life, even though they reflected some of the most important musical issues of the day, have never become as familiar as the careers of Bach or Mozart. Perhaps the single word that best describes his life and music is "cosmopolitan": he was a German composer, trained in Italy, who spent most of his life in England. Handel was born in the German city of Halle on February 23, 1685. His father noted but did not nurture his musical talent, and he had to sneak a small keyboard instrument into his attic to practice. As a child he studied music with Friedrich Wilhelm Zachow, organist at the Liebfrauenkirche, and for a time he seemed destined for a career as a church organist himself. After studying law briefly at the University of Halle, Handel began serving as organist on March 13, 1702, at the Domkirche there. Dissatisfied, he took a post as violinist in the Hamburg opera orchestra in 1703, and his frustration with musically provincial northern Germany was perhaps shown when he fought a duel the following year with the composer Matheson over the accompaniment to one of Matheson's operas. In 1706 Handel took off for Italy, then the font of operatic innovation, and mastered contemporary trends in Italian serious opera. He returned to Germany to become court composer in Hannover, whose rulers were linked by family ties with the British throne; his patron there, the Elector of Hannover, became King George I of England. English audiences took to his 1711 opera Rinaldo, and several years later Handel jumped at the chance to move to England permanently. He impressed King George early on with the Water Music of 1716, written as entertainment for a royal boat outing. Through the 1720s Handel composed Italian operatic masterpieces for London stages: Ottone, Serse (Xerxes), and other works often based on classical stories. His popularity was dented, though, by new English-language works of a less formal character, and in the 1730s and 1740s Handel turned to the oratorio, a grand form that attracted England's new middle-class audiences. Not only Messiah but also Israel in Egypt, Samson, Saul, and many other works established him as a venerated elder of English music. The oratorios displayed to maximum effect Handel's melodic gift and the sense of timing he brought to big choral numbers. Among the most popular of all the oratorios was Judas Maccabeus, composed in 32 days in 1746. Handel presented the oratorio six times during its first season and about 40 times before his death 12 years later, conducting it 30 times himself. In 1737, Handel suffered a stroke, which caused both temporary paralysis in his right arm and some loss of his mental faculties, but he recovered sufficiently to carry on most normal activity. He was urged to write an autobiography, but never did. Blind in old age, he continued to compose. He died in London on April 14, 1759. Beethoven thought Handel the greatest of all his predecessors; he once said, "I would bare my head and kneel at his grave." © AMG, All Music Guide es
dc.description.tableofcontents CD2-- Sonata in G minor Op. 2 No. 5 HWV 390a for two violins and continuo ; I Larghetto (Adagio), II Allegro, III Adagio, IV Allegro-- Sonata in G minor Op. 2 No. 6 HWV 391 for two flutes and continuo ; I Andante (Allegro), II Arioso, III Allegro)-- Sonata in F major HWV 392 for two violins and contnuo ; I Andante, II Allegro, III Adagio, IV Allegro-- Sonata in G minor HWV 393 for two violins and continuo ; I Allegro, II Allegro, III Largo, IV Allegro-- es
dc.format.extent 45:08 min. es
dc.format.medium 1 CD Rom (45 min., 08 seg) : Stereo 4 3/4 plg es
dc.language.iso en_US es
dc.rights Uninorte F.M Estéreo es
dc.subject.lcc 725812659 es
dc.subject.lcsh Sonata (Violins, Flutes and continuo) es
dc.title The Complete Chamber Music es
dc.title.alternative La Musique de Chambre es
dc.title.alternative Die Kammermusik es
dc.title.alternative La Música de Cámara Completa es
dc.language.rfc3066 eng es
dc.rights.holder Decca Music Group Limited es
dc.identifier.classification 028947089322 es
dc.subject.cdu Ha.15 es


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Files Length Size Format View Description
1. Sonata in G ... - I Larghetto (Adagio).mp3 2:57 4.052Mb MPEG Audio mp3
2. Sonata in G ... continuo - II Allegro.mp3 2:39 3.642Mb MPEG Audio mp3
3. Sonata in G ... continuo - III Adagio.mp3 2:17 3.139Mb MPEG Audio mp3
4. Sonata in G ... continuo - IV Allegro.mp3 3:21 4.610Mb MPEG Audio mp3
5. Sonata in G ... - I Andante (Allegro).mp3 4:32 6.233Mb MPEG Audio mp3
6. Sonata in G ... d continuo - II Arioso.mp3 2:32 3.478Mb MPEG Audio mp3
7. Sonata in G ... continuo - III Allegro.mp3 2:05 2.854Mb MPEG Audio mp3
8. Sonata in F ... nd contnuo - I Andante.mp3 3:26 4.709Mb MPEG Audio mp3
9. Sonata in F ... nd contnuo- II Allegro.mp3 2:49 3.872Mb MPEG Audio mp3
10. Sonata in F ... d contnuo - III Adagio.mp3 4:14 5.814Mb MPEG Audio mp3
11. Sonata in F ... d contnuo - IV Allegro.mp3 2:34 3.532Mb MPEG Audio mp3
12. Sonata in G ... d continuo - I Allegro.mp3 3:30 4.796Mb MPEG Audio mp3
13. Sonata in G ... continuo - II Allegro.mp3 2:11 2.996Mb MPEG Audio mp3
14. Sonata in G ... d continuo - III Largo.mp3 3:06 4.263Mb MPEG Audio mp3
15. Sonata in G ... continuo - IV Allegro.mp3 2:39 3.640Mb MPEG Audio mp3
Sonata in G min ... nd continuo - Completo.wav 11:07 112.1Mb WAV audio wav
Sonata in G min ... nd continuo - Completo.wav 9:04 91.49Mb WAV audio wav
Sonata in F maj ... and contnuo - Completo.wav 12:56 130.4Mb WAV audio wav
Sonata in G min ... nd continuo - Completo.wav 11:18 114.0Mb WAV audio wav

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