The Vivaldi Edition Operas # 01

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The Vivaldi Edition Operas # 01

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dc.contributor.other Antonio Vivaldi es
dc.contributor.other Orlando Finro Pazzo es
dc.contributor.other Marie-Nicole Lemieux es
dc.contributor.other Jennifer Larmore es
dc.contributor.other Veronica Cangemi es
dc.contributor.other Philippe Jaroussky es
dc.contributor.other Lorenzo Regazzo es
dc.contributor.other Ann Hallenberg es
dc.contributor.other Blandine Staskiewicz es
dc.contributor.other Eléments (Kammerchor) es
dc.contributor.other Joel Suhubiette es
dc.contributor.other Ensemble Matheus es
dc.contributor.other Jean-Christophe Spinosi es
dc.contributor.other Frédéric Delaméa es
dc.contributor.other Damien Colas es
dc.date.accessioned 2013-05-30T14:42:13Z
dc.date.available 2008
dc.date.available 2013-05-30T14:42:13Z
dc.date.copyright 2004
dc.date.issued 2013-05-30
dc.identifier.uri http://hdl.handle.net/123456789/3201
dc.description.abstract The creator of hundreds of spirited, extroverted instrumental works, Italian composer Antonio Vivaldi is widely recognized as the master of the Baroque instrumental concerto, which he perfected and popularized more than any of his contemporaries. Vivaldi's kinetic rhythms, fluid melodies, bright instrumental effects, and extensions of instrumental technique make his some of the most enjoyable of Baroque music. He was highly influential among his contemporaries and successors: even as esteemed a figure as Johann Sebastian Bach adapted some of Vivaldi's music. Vivaldi's variable textures and dramatic effects initiated the shift toward what became the Classical style; a deeper understanding of his music begins with the realization that, compared with Bach and even Handel, he was Baroque music's arch progressive. Though not as familiar as his concerti, Vivaldi's stage and choral music is still of value; his sometimes bouncy, sometimes lyrical Gloria in D major (1708) has remained a perennial favorite. His operas were widely performed in his own time. Details regarding Vivaldi's early life are few. His father was a violinist in the Catherdral of Venice's orchestra and probably Antonio's first teacher. There is much speculation about other teachers, such as Corelli, but no evidence to support this. Vivaldi studied for the priesthood as a young man and was ordained in 1703. He was known for much of his career as "il prete rosso" (the red-haired priest), but soon after his ordination he declined to take on his ecclesiastical duties. Later in life he cited ill health as the reason, but other motivations have been proposed; perhaps Vivaldi simply wanted to explore new opportunties as a composer. It didn't take him long. Landing a job as a violin teacher at a girls' orphanage in Venice (where he would work in one capacity or another during several stretches of his life), he published a set of trio sonatas and another of violin sonatas. Word of his abilities spread around Europe, and in 1711 an Amsterdam publisher brought out, under the title L'estro armonico (Harmonic Inspiration), a set of Vivaldi's concertos for one or more violins with orchestra. These were best sellers (it was this group of concertos that spurred Bach's transcriptions), and Vivaldi followed them up with several more equally successful concerto sets. Perhaps the most prolific of all the great European composers, he once boasted that he could compose a concerto faster than a copyist could ready the individual parts for the players in the orchestra. He began to compose operas, worked from 1718 to 1720 in the court of the German principality of Hessen-Darmstadt, and traveled in Austria and perhaps Bohemia. Throughout his career, he had his choice of commissions from nobility and the highest members of society, the ability to use the best performers, and enough business savvy to try to control the publication of his works, although due to his popularity, many were published without his consent. Later in life Vivaldi was plagued by rumors of a sexual liaison with one of his vocal students, and he was censured by ecclesiastical authorities. His Italian career on the rocks, he headed for Vienna. He died there and was buried as a pauper in 1741, although at the height of his career his publications had earned a comfortable living. © AMG, All Music Guide es
dc.description.tableofcontents CD1 Sinfonia [Concerto in Do Maggiore Per Archi e Cembalo RV 116]; Allegro, Andante, Allegro-- Atto Primo; Scena 1 [Angelica, Alcina] recitativo, Scena 1 [Angelica] Aria Un Raggio di Speme, Scena 2 [Alcina, Orlando, Astolfo] Recitativo, Scena 2 [Alcina] Aria Alza in Quegl'Occhi,Scena 3 [Orlando, Astolfo]Recitativo, Scena 3 [Astolfo] Aria Costanza tu M'insegni e Vuoi Ch'io Speri, Scena 4 [Orlando, Bradamante]Recitativo, Scena 4 [Bradamante] Aria Ascondero il Mio Sdegno, Scena 5 [Orlando] Recitativo, Scena 5 [Orlando] Aria Nel Profondo, Scena 6 [Angelica, Medoro] Recitativo, Scena 7 [Alcina, Angelica, Medoro] Recitativo, Scena 8 [Orlando, Angelica, Medoro] Recitativo, Scena 8 [Angelica] Aria Tu Sei Degl’Occhi Miei, Scena 8 [Orlando] Recitativo, Scena 8 [Orlando] Aria Troppo É Fierro Il Nume Arciero, Scena 9 [Alcina, Medoro] Recitativo, Scena 9 [Medoro] Aria Rompo I Ceppi, Scena 10 [Alcina, Ruggiero] Recitativo, Scena 11 [Bradamante, Alcina, Ruggiero] Recitativo, Scena 11 [Ruggiero] Aria Sol Da Te Mio Dolce Amore, Scena 12 [Alcina, Bradamante] Recitativo, Scena 13 [Alcina] Recitativo, Scena 13 [Alcina] Aria Amorose Al Rai Del Sole-- CD2 Atto Secondo; Scena 1 [Alcina, Astolfo] Recitativo, Scena 1 [Alcina] Aria Vorresti Amor Da Me, Scena 2 [Astolfo, Bradamante] Recitativo, Scena 2 [Astolfo] Aria Benche Nasconda, Scena 3 [Bradamante, Ruggiero, Orlando] Recitativo, scena 3 [Bradamante] Aria Tacci Non Ti Lagnar, Scena 4 [Ruggiero, Orlando] Recitativo, Scena 4 [Orlando] Aria Sorge L’Irato Nembo, Scena [Ruggiero, Orlando] Recitativo, Scena 5 [Angelica, Medoro] Recitativo, Scena [Medoro] Aria Qual Candido Fiore, Scena 6 [Angelica, Orlando] Recitativo, Scena 6 [Angelica] Aria Chiara Al Pari Di Lucida stella, Scena 6 [Angelica, Orlando] Recitativo, Scena 7 [Astolfo, Angelica, Orlando] Recitativo, Scena 8 [Orlando, Angelica] Recitativo, Scena 9 [Orlando] Recitativo, Scena 10 [Bradamante, Ruggiero] Recitativo, Scena 10 [Ruggiero] Aria Che Bel Morirti in Sen, Scena 10 [Bradamante] Recitativo, Scena 10 [Bradamante] Aria Se Cresce un Torrente, Scena 11 [Coro] Tutti al Fragor De’Corni Audaci, Scena 11 [Angelica, Medoro, Alcina] Recitativo, Scena 11 [Medoro] Recitativo Accompagnato, Scena 11 [Coro] Tutti Gran Madre Venere, Scena 11 [Alcina, Angelica] Recitativo, Scena 11 [Coro] Tutti Diva Dell’Espero, Scena 11 [Alcina] Recitativo, Scena 11 [Alcina] Aria Cosi Potessi Anch’io, Scena 12 [Angelica, Medoro] Recitativo, Scena 12 [Angelica, Medoro] Duetto Belle Pianticelle, Scena 12 [Angelica, Medoro] Recitativo, Scena 12 [Angelica, Medoro] Duetto Sei Mia Fiamma E Sei Mio Bene, Scena 13 [Orlando] Recitativo, Scena 13 [Orlando] Recitativo Accompagnato-- CD3 Atto Terzo; Scena 1 [Astolfo, Ruggiero] Recitativo, Scena 1 [Astolfo] Aria Dove Il Valor Combate, Scena 2 [Ruggiero, Bradamante] Recitativo, Scena 3 [Alcina, ruggiero, Bradamante] Aria L’Arco Vuó Frangerti, Scena 3 [Alcina, Ruggiero, Bradamante] Recitativo, Scena 3 [Alcina] Recitativo Accompagnato, Scena 3 [Alcina, Ruggiero, Bradamante] Recitativo, Scena 4 [Orlando, Alcina, Ruggiero, Bradamante] Recitativo, Scena 5 [Angelica, Orlando, Alcina, Ruggiero, Bradamante] Canzon e Recitativo, Scena 5 [Angelica, Orlando, Alcina, Ruggiero, Bradamante] Recitativo, Scena 5 [Alcina] Aria Che Dolce Piú Giocondo Stato, Scena 5 [Angelica, Orlando, alcina, Ruggiero, Bradamante] Recitativo, Scena 5 [Angelica] Aria Poveri Affetti Miei Siete Innocenti, Scena 6 [Orlando, Alcina, Bradamante, Ruggiero] Recitativo, Scena 6 [Bradamante] Aria OO Son Ne’ Lacci Tuoi, Scena 6 [Orlando, alcina, Bradamante, Ruggiero] Recitativo, Scena 7 [Ruggiero, Medoro] Recitativo, Scena 8 [Angelica, Ruggiero, Medoro] Recitativo, Scena 8 [Ruggiero] Aria Come L’Onda, Scena 9 [Angelica, Medoro] Recitativo, Scena 9 [Medoro] Aria Vorrebbe Amando Il Cor, Scena 10 [Orlando] Recitativo, Scena 10 [Orlando] Aria Scendi Nel Tartaro, Scena 10 [Orlando] Recitativo, Scena 10 [Orlando] Recitativo Accompanagto, Scena 11 [Alcina, Orlando, Bradamante, Ruggiero] Recitativo, Scena 12 [Angelica, Medoro, Bradamante, Alcina] Recitativo, Scena Ultima [Astolfo, Bradamante, Alcina, Ruggiero, Orlando] Recitativo, Scena Ultima [Alcina] Recitativo Accompagnato, Scena Ultima [Alcina] Aria Anderó Chiameró Dal Profondo, Scena Ultima [Astolfo, Bradamante, Alcina, Ruggiero, Orlando] Recitativo, Scena Ultima [Coro] Tutti Con Mirti E Fiori-- es
dc.format.extent CD1 (65min; 17seg) : CD2 (60min; 59seg) : CD3 (39min; 38seg) es
dc.format.medium 3 CD-Rom. Stereo; 4 3/4 plg es
dc.language.iso en es
dc.rights Uninorte F.M.Estéreo es
dc.subject.lcc 611253993 es
dc.subject.lcsh Operas es
dc.title The Vivaldi Edition Operas # 01 es
dc.title.alternative Orlando Furioso RV 728 Opere Teatrali Vol. 4 es
dc.title.alternative Dramma Per Musica in Tre Atti Teatro San Angelo, Venezia 1727 es
dc.language.rfc3066 eng es
dc.rights.holder Naïve es
dc.identifier.classification 709861304707 es
dc.subject.cdu Vi.20 es


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Files Length Size Format View Description
Sinfonia (Conce ... rchi e Cembalo RV 116).wav 5:12 52.49Mb WAV audio wav
Atto Primo.wav 1:05:19 659.3Mb WAV audio wav
Atto Secondo.wav 1:06:11 668.0Mb WAV audio wav
Atto Terzo.wav 45:40 460.9Mb WAV audio wav

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