Partitas Pour Clavecin : Partitas for Harpsichord Vol. 1

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Partitas Pour Clavecin : Partitas for Harpsichord Vol. 1

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dc.contributor.other Christoph Graupner es
dc.contributor.other Genevieve Soly es
dc.coverage.spatial Canada es
dc.date.accessioned 2013-06-04T22:23:09Z
dc.date.available 2002
dc.date.available 2013-06-04T22:23:09Z
dc.date.issued 2013-06-04
dc.identifier.uri http://hdl.handle.net/123456789/3312
dc.description.abstract Although Christoph Graupner was born into a family of tailors and clothmakers, when he was 8 the local Kantor in Kirchberg noticed his unusual facility with sight-singing. That Kantor and organist, Nikolaus Kuster, provided Graupner his early musical training. Kuster later took the 11-year-old boy with him to Reichenbach, acting as his teacher and guardian until Graupner was admitted to the Thomasschule in Leipzig, where he studied from 1696 to 1704 (well before J.S. Bach's time there). Later he studied law at the University of Leipzig, along the way befriending Telemann, but the Swedish invasion sent him fleeing to Hamburg in 1706. In Hamburg Graupner got a job as harpsichordist at an opera house; for this theater he wrote five operas between 1707 and 1709. These were in an eclectic musical style, part German and part French (which was true of the language of each libretto, as well as the musical elements), and were extremely popular with the Hamburg audience. In 1709 he took the job of vice-Kapellmeister with the Landgrave of Hesse-Darmstadt, rising to the top position in 1712. Graupner focused on operatic composition at the Darmstadt Hofkapelle, at one point supervising some 40 musicians. After the financial cutbacks of 1719, though, Graupner cut the size of his staff and gave up on opera, turning his attention to orchestral and instrumental music and cantatas. By 1723 Graupner had gotten himself named as Telemann's successor at the Thomaskirche in Leipzig, but when the Landgrave raised his pay and gave him other incentives to remain in Darmstadt, the Leipzig job fell to the second choice, J.S. Bach. Firmly entrenched in Darmstadt, Graupner took on many students, including Johann Friedrich Fasch, and wrote nearly as prolifically as Telemann: more than 100 "symphonies" (really three-movement sinfonias or multi-movement dance suites, all in major keys, and most dating between 1746 and 1753), half as many concertos (mainly for woodwinds, half in the three-movement Vivaldi pattern and the others in four movements), more than 1,400 church cantatas, and a sizeable number of chamber works and keyboard suites fusing French and Italian styles (he was apparently an exceptional harpsichordist). Graupner was also highly regarded for his accurate, elegant copies of the scores of other popular composers of the day, including those of the Mannheim school, and his more than 50 Christmas cantatas, in particular, reflect his familiarity with those more innovative composers. Blindness ended his career in 1754. © James Reel, All Music Guide es
dc.description.tableofcontents Partita X en la mineur GWV 118 Monatliche Clavier Früchte (Darmstadt, 1722); Praeludium, Allemande, Airs I et II, Courante, Sarabande, Air en Bourrée, Menuets I et II, Loure-- Partita I en do majeur GWV 101 Partien auf das Clavier (Darmstadt, 1718); Praeludium, Allemande, Courante (´s L’italienne), Courante (á la franccaise), Sarabande, Menuet, Rigaudon en Rondeau (Gavotte)-- Partita en la majeur GWV 149 D-DS Mus ms. 1231 ca. 1720; Praeludium, Allemande, Courante, Sarabande et Double, Menuet, Aria et Variations, Bourrée, Gigue, Chaconne-- es
dc.format.extent 72:19min. es
dc.format.medium 1 CD-Rom. (72:19 min.) Digital; 4 3/4 plg. es
dc.language.iso en es
dc.rights Uninorte F.M.Estéreo es
dc.subject.lcc 50067945 es
dc.subject.lcsh Suites (Harpsichord) es
dc.title Partitas Pour Clavecin : Partitas for Harpsichord Vol. 1 es
dc.title.alternative Partitas Vierten Clave: Partitas para Clavicordio Volumen 1 es
dc.language.rfc3066 eng es
dc.identifier.classification 774204310929 es
dc.subject.cdu Graup.03 es


Files in this item

Files Length Size Format View Description
1. Partita X en ... stad 1722)- Praeludium.mp3 59 1.344Mb MPEG Audio mp3
2. Partita X e ... mstad 1722)- Allemande.mp3 3:21 4.600Mb MPEG Audio mp3
3. Partita X e ... ad 1722)- Airs I et II.mp3 2:34 3.532Mb MPEG Audio mp3
4. Partita X e ... rmstad 1722)- Courante.mp3 2:53 3.968Mb MPEG Audio mp3
5. Partita X e ... mstad 1722)- Sarabande.mp3 4:12 5.765Mb MPEG Audio mp3
6. Partita X e ... 1722) -Air en Bourrée.mp3 1:19 1.807Mb MPEG Audio mp3
7. Partita X e ... 1722)- Menuets I et II.mp3 2:47 3.814Mb MPEG Audio mp3
8. Partita X e ... (Darmstad 1722)- Loure.mp3 4:20 5.948Mb MPEG Audio mp3
9. Partita I en ... tadt 1718)- Praeludium.mp3 1:26 1.972Mb MPEG Audio mp3
10. Partita I e ... stadt 1718)- Allemande.mp3 3:43 5.103Mb MPEG Audio mp3
11. Partita I e ... urante (á L'italienne).mp3 3:05 4.234Mb MPEG Audio mp3
12. Partita I e ... rante (á la francaise).mp3 2:29 3.400Mb MPEG Audio mp3
13. Partita I e ... stadt 1718)- Sarabande.mp3 3:29 4.776Mb MPEG Audio mp3
14. Partita I e ... armstadt 1718)- Menuet.mp3 1:35 2.181Mb MPEG Audio mp3
15. Partita I e ... n en Rondeau (Gavotte).mp3 3:21 4.589Mb MPEG Audio mp3
16. Partita en ... Praeludium (et Fugue).mp3 2:31 3.461Mb MPEG Audio mp3
17. Partita en ... 31 ca. 1720- Allemande.mp3 1:58 2.713Mb MPEG Audio mp3
18. Partita en ... 231 ca. 1720- Courante.mp3 1:40 2.300Mb MPEG Audio mp3
19. Partita en ... 0- Sarabande et Double.mp3 3:12 4.394Mb MPEG Audio mp3
20. Partita en ... 1231 ca. 1720- Menuet.mp3 1:25 1.938Mb MPEG Audio mp3
21. Partita en ... 20- Aria et Variations.mp3 7:53 10.82Mb MPEG Audio mp3
22. Partita en ... 1231 ca. 1720- Bourrée.mp3 1:12 1.642Mb MPEG Audio mp3
23. Partita en ... . 1231 ca. 1720- Gigue.mp3 1:47 2.462Mb MPEG Audio mp3
24. Partita en ... 231 ca. 1720- Chaconne.mp3 9:45 13.37Mb MPEG Audio mp3
Partita X en la ... rmstad 1722)- Completo.wav 22:07 223.1Mb WAV audio wav
Partita I en do ... mstadt 1718)- Completo.wav 18:48 189.7Mb WAV audio wav
Partita en la m ... 231 ca. 1720- Completo.wav 626.0Mb WAV audio wav

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