Songs Vol. 3

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Songs Vol. 3

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dc.contributor.other Johannes Brahms es
dc.contributor.other Ingeborg Danz es
dc.contributor.other Roland Glassl es
dc.contributor.other Helmut Deutsch es
dc.coverage.spatial Stuttgart, Germany es
dc.date.accessioned 2012-07-28T02:44:59Z
dc.date.available 2012-07-28T02:44:59Z
dc.date.issued 2012-07-27
dc.identifier.uri http://hdl.handle.net/123456789/354
dc.description.abstract The stature of Johannes Brahms among classical composers is well illustrated by his inclusion among the "Three Bs" triumvirate of Bach, Beethoven, and Brahms. Of all the major composers of the late Romantic era, Brahms was the one most attached to the Classical ideal as manifested in the music of Haydn, Mozart, and especially Beethoven; indeed, Hans von Bülow once characterized Brahms' Symphony No. 1 (1855-1876) as "Beethoven's Tenth." As a youth, Brahms was championed by Robert Schumann as music's greatest hope for the future; as a mature composer, Brahms became for conservative musical journalists the most potent symbol of musical tradition, a stalwart against the "degeneration" represented by the music of Wagner and his school. Brahms' symphonies, choral and vocal works, chamber music, and piano pieces are imbued with strong emotional feeling, yet take shape according to a thoroughly considered structural plan. The son of a double bassist in the Hamburg Philharmonic Society, Brahms demonstrated great promise from the beginning. He began his musical career as a pianist, contributing to the family coffers as a teenager by playing in restaurants, taverns, and even brothels. Though by his early twenties he enjoyed associations with luminaries like violinists Eduard Reményi and Joseph Joachim, the friend and mentor who was most instrumental in advancing his career was Schumann, who all but adopted him and became his most ardent partisan, and their esteem was mutual. Following Schumann's death in 1856, Brahms became the closest confidant and lifelong friend of the composer's widow, pianist and composer Clara Wieck Schumann. After a life of spectacular musical triumphs and failed loves (the composer was involved in several romantic entanglements but never wed), Brahms died of liver cancer on April 3, 1897. In every genre in which he composed, Brahms produced works that have become staples of the repertory. His most ambitious work, the German Requiem (1863-1867), is the composer's singular reinterpretation of an age-old form. The four symphonies—lushly scored, grand in scope, and deeply expressive—are cornerstones of the symphonic literature. Brahms' concertos are, similarly, in a monumental, quasi-symphonic vein: the two piano concertos (1856-1859 and 1881) and the Violin Concerto (1878) call for soloists with both considerable technical skill and stamina. His chamber music is among the most sophisticated and exquisitely crafted of the Romantic era; for but a single example, his works that incorporate the clarinet (e.g., the Trio in A minor, Op. 114 and the two Sonatas, Op. 120), an instrument largely overlooked by his contemporaries, remain unsurpassed. Though the piano sonata never held for Brahms the same appeal it had for Beethoven (Brahms wrote three to Beethoven's 32), he produced a voluminous body of music for the piano. He showed a particular affinity for variations—notably, on themes of Schumann (1854), Handel (1861), and Paganini (1862-1863)—and likewise produced a passel of national dances and character pieces such as ballades, intermezzi, and rhapsodies. Collectively, these constitute one of the essential bodies of work in the realm of nineteenth century keyboard music. © AMG, All Music Guide es
dc.description.tableofcontents Op. 3 No. 1 Liebestreu-- Op. 14 No. 1 Vor dem Fenster-- Op. 19 No. 4 Der Schmied-- Op. 32 No. 8 So stehn wir ich und meine Weide-- Op. 46 No. 4 An die Nachtigall-- WoO 22 Fünf Ophelia Lieder ; No. 1 Wie erkenn ich Dein Treulieb, No. 2 Sein Leichenhemd, No. 3 Auf morgen ist Sankt Valentinstag, No. 4 Sie trugen ihn auf der Bahre bloß, No. 5 Und kommt er nicht mehr zurück-- Op. 59 ; No. 2 Auf dem See, No. 5 Agnes, No. 8 Dein blaues Auge-- Op. 63 No. 5 Junge Lieder I-- Op. 86 No. 1 Therese-- Op. 91 ; No. 1 Gestillte Sehnsucht (Viola), No. 2 Geistliches Wiegenlied (Viola)-- Op. 94 No. 4 Sapphische Ode-- WoO 23 Regentropfen aus den Bäumen-- Op. 95 No. 4 Der Jäger-- Op. 105 No. 2 Immer leiser wird mein Schlummer-- Op. 107 ; No. 2 Salamander, No. 3 Das Mädchen sprichst, No. 5 Mädchenlied-- Op. 49 No. 4 Wiegenlied-- es
dc.format.medium 1 CD Rom (50 min., 58 seg) : Stereo 4 3/4 plg es
dc.language.iso en_US es
dc.rights Uninorte F.M Estéreo es
dc.subject.lcc 5028421935546 es
dc.subject.lcsh Songs (Low voice) with Piano, Songs (Low voice) with Instrumental Ensemble es
dc.title Songs Vol. 3 es
dc.title.alternative Canciones Vol. 3 es
dc.title.alternative Complete Works es
dc.language.rfc3066 eng es
dc.identifier.classification 5028421554471 es
dc.subject.cdu Bra.27 es


Files in this item

Files Length Size Format View Description
1. Op. 3 No. 1 Liebestreu.wav 2:17 22.99Mb WAV audio wav
2. Op. 14 No. 1 Vor dem Fenster.wav 2:41 27.14Mb WAV audio wav
3. Op. 19 No. 4 Der Schmied.wav 48 8.018Mb WAV audio wav
4. Op. 32 No. 8 ... ir ich und meine Weide.wav 1:34 15.73Mb WAV audio wav
5. Op. 46 No. 4 An die Nachtigall.wav 2:58 29.94Mb WAV audio wav
6 al 10. WoO 22 Fün Ophelia Lieder - Completo.wav 4:13 42.49Mb WAV audio wav
11. Op. 59 No. 2 Auf dem See.wav 2:55 29.43Mb WAV audio wav
12. Op. 59 No. 5 Agnes.wav 2:45 27.81Mb WAV audio wav
13. Op. 59 No. 8 Dein blaues Auge.wav 2:03 20.74Mb WAV audio wav
14. Op. 63 No. 5 Junge Lieder I.wav 1:32 15.50Mb WAV audio wav
15. Op. 86 No. 1 Therese.wav 1:30 15.18Mb WAV audio wav
16 & 17 . Op. 9 ... hes Wiegenlied (Viola).wav 11:03 111.5Mb WAV audio wav
18. Op. 94 No. 4 Sapphische Ode.wav 2:10 21.82Mb WAV audio wav
19. WoO 23 Regentropfen aus den Bäumen.wav 1:43 17.24Mb WAV audio wav
20. Op. 95 No. 4 Der Jäger.wav 1:06 11.17Mb WAV audio wav
21. Op. 105 No. ... er wird mein Schlummer.wav 3:13 32.40Mb WAV audio wav
22 & 23. No. 2 ... 3 Das Mädchen spricht.wav 3:48 38.37Mb WAV audio wav
24. Op. 107 No. 5 Mädchenlied.wav 1:42 17.08Mb WAV audio wav
25. Op. 49 - No. 4 Wiegenlied.wav 1:44 17.44Mb WAV audio wav

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