Symphony No. 1 : Symphony No. 3

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Symphony No. 1 : Symphony No. 3

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dc.contributor.other Aram Khachaturian es
dc.contributor.other Armenian Philharmonic Orchestra es
dc.contributor.other Loris Tjeknavorian es
dc.coverage.spatial Yerevan, Armenia es
dc.date.accessioned 2013-08-29T15:59:36Z
dc.date.available 1993
dc.date.available 2013-08-29T15:59:36Z
dc.date.copyright 1993
dc.date.issued 2013-08-29
dc.identifier.uri http://hdl.handle.net/123456789/3697
dc.description.abstract Although he was indicted (along with Shostakovich, Prokofiev, and a number of other prominent Soviet musicians) for "formalism," in the infamous Zhdanov decree of 1948, Aram Khachaturian was, for most of his long career, one of the Soviet musical establishment's most prized representatives. Born into an Armenian family, in Tbilisi, in 1903, Khachaturian's musical identity formed slowly, and, although a tuba player in his school band and a self-taught pianist, he wanted to be a biologist, and did not study music formally until entering Moscow's Gnesin Music Academy (as a cellist) in 1922. His considerable musical talents soon manifested themselves, and by 1925 he was studying composition privately with Gnesin himself. In 1929, Khachaturian joined Miaskovsky's composition class at the Moscow Conservatory. Khachaturian graduated in 1934, and before the completion, in 1937, of his postgraduate studies, the successful premieres of such works as the Symphony No. 2 in A Minor "With a Bell" (1935) and, especially, the Piano Concerto in D flat Major (1936) established Khachaturian as the leading Soviet composer of his generation. During the vicious government-sponsored attacks, in 1948, on the Soviet Composers' Union (in which Khachaturian, an active member since 1937, also held an administrative function) Khachaturian took a great deal of criticism. However, although he was officially censured for employing modernistic, politically incorrect musical techniques which fostered an "anti-people art," Khachaturian's music contained few, if any, of the objectionable traits found in the music of some of his more adventuresome colleagues. In retrospect, it was most likely Khachaturian's administrative role in the Union, perceived by the government as a bastion of politically incorrect music, and not his music as such, which earned him a place on the black list of 1948. Nevertheless, Khachaturian made a very full and humble apology for his artistic "errors" following the Zhdanov decree; his musical style, however, underwent no changes. Khachaturian joined the composition faculty of the Moscow Conservatory and the Gnesin Academy in 1950, and that same year he made his debut as a conductor. During the years until his death in 1978 Khachaturian made frequent European conducting appearances, and in January of 1968 he made a culturally significant trip to Washington, D.C., conducting the National Symphony Orchestra in a program of his own works. Khachaturian's characteristic musical style draws on the melodic and rhythmic vitality of Armenian folk music. Although not adverse to sharp dissonance, Khachaturian never strayed from a basically diatonic musical language. The Piano Concerto and the Violin Concerto in D Minor are truly Romantic works, virtuosic, clear, and unaffectedly expressive, remaining therefore popular and frequently performed composition. Of course, many neither of these works matches the popularity of the famous "Sabre Dance" from the ballet Gayane, which made Khachaturian a household name during World War II. His other works include film scores, songs, piano pieces, and chamber music. The degree of Khachaturian's success as a Soviet composer can be measured by his many honors, which include the 1941 Lenin Prize, for the Violin Concerto, the 1959 Stalin Prize, for the ballet Spartacus, and the title, awarded in 1954, of People's Artist. © Blair Johnston, All Music Guide es
dc.description.tableofcontents Symphony No. 1 in E minor (1934) ; First movement (Andante maestoso con passione ‘Allegro ma non troppo’), Second movement (Adagio sostenuto), Third movement (Allegro risoluto)-- Symphony No. 3 in C (Simfoniya-poema) (1947) in one movement-- es
dc.format.extent 61:42 min. es
dc.format.medium 1 CD Rom (61 min., 42 seg) : Stereo 4 3/4 plg es
dc.language.iso en_US es
dc.rights Uninorte F.M Estéreo es
dc.subject.lcc 29676649 es
dc.subject.lcsh Symphonies es
dc.title Symphony No. 1 : Symphony No. 3 es
dc.title.alternative Symphony No. 1 in E minor : Symphony No. 3 in C es
dc.title.alternative Sinfonía No. 1 : Sinfonía No. 3 es
dc.title.alternative Sinfonía No. 1 en Mi menor : Sinfonía No. 3 en Do es
dc.language.rfc3066 eng es
dc.rights.holder Stereo es
dc.identifier.classification 743625085822 es
dc.subject.cdu Kha.03 es


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Files Length Size Format View Description
1. Symphony No. ... llegro ma non troppo’).mp3 18:11 24.93Mb MPEG Audio mp3
2. Symphony No. ... ent (Adagio sostenuto).mp3 12:29 17.12Mb MPEG Audio mp3
3. Symphony No. ... ent (Allegro risoluto).mp3 9:55 13.60Mb MPEG Audio mp3
4. Symphony No. ... (1947) in one movement.wav 21:02 212.2Mb WAV audio wav
Symphony No. 1 in E minor (1934) - Completo.wav 40:30 408.7Mb WAV audio wav

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