Arthur Rubinstein The Complete Album Collection

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Arthur Rubinstein The Complete Album Collection

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dc.contributor.other Arthur Rubinstein es
dc.contributor.other Nbc Symphony Orchestra es
dc.contributor.other William Steinberg es
dc.date.accessioned 2014-03-21T20:30:00Z
dc.date.available 2011
dc.date.available 2014-03-21T20:30:00Z
dc.date.copyright 2011
dc.date.issued 2014-03-21
dc.identifier.uri http://hdl.handle.net/123456789/4146
dc.description.abstract Warm, lyrical, and aristocratic in his interpretations, Artur Rubinstein performed impressively into extremely old age, and he was a keyboard prodigy almost from the time he could climb onto a piano bench. He came from a mercantile rather than a musical family, but fixated on the piano as soon as he heard it. At age three he impressed Joseph Joachim, and by the age of seven he was playing Mozart, Schubert, and Mendelssohn at a charity concert in his hometown. In Warsaw, he had piano lessons with Alexander Róóycki; then in 1897 he was sent to Berlin to study piano with Heinrich Barth and theory with Robert Kahn and Max Bruch, all under Joachim's general supervision. In 1899 came his first notable concerto appearance in Potsdam. Soon thereafter, just barely a teenager, he began touring Germany and Poland. After brief studies with Paderewski in Switzerland in 1903, Rubinstein moved to Paris, where he met Ravel, Dukas, and Jacques Thibaud, and played Saint-Saëns' G minor Concerto to the composer's approval. That work would remain a flashy Rubinstein vehicle for six decades, and it was the concerto he offered in his American debut with the Philadelphia Orchestra in New York's Carnegie Hall in 1906. His under-prepared American tour was not especially well-received, though, so he withdrew to Europe for further study. Rubinstein became an adept and sensitive chamber musician and accompanist; his 1912 London debut was accompanying Pablo Casals, and during World War I he toured with Eugène Ysaÿe. He gave several successful recitals in Spain during the 1916-1917 season, and soon toured Latin America. Along the way he developed a great flair for Hispanic music; Heitor Villa-Lobos went so far as to dedicate to Rubinstein his Rudepoema, one of the toughest works in the repertory. Although Rubinstein would later be somewhat typecast as a Chopin authority, his readings of Falla, Granados, and Albéniz would always be equally idiomatic. Rubinstein's international reputation grew quickly, although he was by his own account a sloppy technician. In the mid-1930s he withdrew again and drilled himself in technique. By 1937 he reemerged as a musician of great discipline, poise, and polish—qualities he would mostly retain until his farewell recital in London in 1976, at the age of 89. Rubinstein's temperament had sufficient fire for Beethoven but enough poetry for Chopin; his tempos and dynamics were always flexible, but never distorted. His 1960s recordings for RCA of nearly all Chopin's solo piano music have been considered basic to any record collection since their release, and his version of Falla's Nights in the Gardens of Spain is another classic, as are his various late collaborations with the Guarneri Quartet. Rubinstein became a naturalized American citizen in 1946, but he maintained residences in California, New York, Paris, and Geneva; two of his children were born in the United States, one in Warsaw, and one in Buenos Aires. He had married Aniela Mlynarska in 1932, but womanizing remained integral to his reputation as an irrepressible bon vivant. He maintained that the slogan "wine, women, and song" as applied to him meant 80 percent women and only 20 percent wine and song. Still, there was a serious side to his life. After World War II, he refused ever again to perform in Germany, in response to the Nazi extermination of his Polish family. Rubinstein became a strong supporter of Israel; in gratitude, an international piano competition in his name was instituted in Jerusalem in 1974. His honors included the Gold Medal of the Royal Philharmonic Society of London, the U.S. Medal of Freedom (1976), and membership in the French Legion of Honor. © James Reel, All Music Guide es
dc.description.tableofcontents CD 18-- Concerto for piano and orchestra No. 2 in F minor Op. 21 ; I. Maestoso, II. Larghetto, III. Allegro vivace-- El item contiene 2 Cd -Rom adicional-- es
dc.format.extent 28:05min es
dc.format.medium 1 CD Rom (28 min., 05 seg) : Stereo 4 3/4 plg es
dc.language.iso en_US es
dc.rights Uninorte F.m Estéreo es
dc.subject.lcc 860400795 es
dc.subject.lcsh Concertos (Piano) es
dc.title Arthur Rubinstein The Complete Album Collection es
dc.title.alternative Chopin Concerto No. 2 in F minor, Op. 21 es
dc.language.rfc3066 eng es
dc.rights.holder Sony Music Entertainment es
dc.identifier.classification 88697911362 es
dc.subject.cdu Rubi.01 es


Files in this item

Files Length Size Format View Description
1. I. Concerto ... inor Op. 21 - Maestoso.mp3 12:22 16.97Mb MPEG Audio mp3
2. II. Concerto ... nor Op. 21 - Larghetto.mp3 8:06 11.11Mb MPEG Audio mp3
3. III. Concert ... p. 21 - Allegro vivace.mp3 7:48 10.69Mb MPEG Audio mp3
Concerto for pi ... inor Op. 21 - Completo.wav 28:08 283.9Mb WAV audio wav

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