Celibidache

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Celibidache

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dc.contributor.other Anton Bruckner es
dc.contributor.other Sergiu Celibidache es
dc.contributor.other Münchner Philharmoniker es
dc.contributor.other Margaret Price es
dc.contributor.other Christel Borchers es
dc.contributor.other Claes H. Ahnsjö es
dc.contributor.other Karl Helm es
dc.contributor.other Philharmonischer Chor München - Members of the Müncher Bach-Chor es
dc.contributor.other Elmar Schloter es
dc.coverage.spatial Estados Unidos es
dc.date.accessioned 2014-06-05T15:33:12Z
dc.date.available 1998
dc.date.available 2014-06-05T15:33:12Z
dc.date.copyright 2011
dc.date.issued 2014-06-05
dc.identifier.uri http://hdl.handle.net/123456789/4291
dc.description.abstract Romanian-born conductor Sergiu Celibidache spent his early life in Jasí, capital of Moldavia, and in 1936 commenced music studies at the Hochschule für Musik in Berlin. At age 33, after winning a conducting competition organized by Berlin Radio, he became conductor of the reconstituted postwar Berlin Philharmonic Orchestra, and toured with it to the British and American sectors of occupied Germany. In 1952 he shared the podium with the exiled Furtwängler, the Berlin Philharmonic's general music director, on a tour of the United States. Later that year when Furtwängler was cleared of allegations of being a Nazi sympathizer and he returned to Germany, Celibidache's appointment with the Berlin PO was terminated. Thereafter, the larger part of his career was with the radio orchestras of Stockholm (1964-1971), Stuttgart (1971-1977), and Paris (1973-1975). From 1979 until his death, he was music director of the Munich Philharmonic Orchestra and general music director of the City of Munich. Between 1983 and 1984, he conducted the student orchestra at the Curtis Institute in Philadelphia. When a music student in Berlin, Celibidache also attended Berlin University where he studied philosophy and formed the Buddhist beliefs he retained throughout his life. He preferred the immediacy of a live performance rather than recordings and, according to his son, felt that recordings prevented the listener's spontaneous involvement with the music and gave a distorted representation of reality. Thus, though widely admired as an outstanding conductor, many of Celibidache's recordings were unauthorized, and some were of poor sound quality. It was not until after his death that, with the cooperation of his family, EMI Classics and Deutsche Grammophon released a substantial number of recordings, mainly of broadcast performances with the Stuttgart and Munich orchestras, but also with the Mannheim Philharmonic and London Philharmonic Orchestra. The repertoire is almost entirely Romantic and post-Romantic, including Beethoven, Bruckner, Brahms, Richard Strauss, Debussy, Ravel, Tchaikowsky, Respighi, and Berlioz. It is perhaps ironic that Celibidache should have received his widest exposure through a medium he did not approve. Yet his intense, finely balanced and deeply felt interpretations made him one of the greatest names in twentieth century orchestral conducting. Above all, he was a superb technician. Celibidache could not have asked for a better memorial than the current library of recordings, especially those in The Celibidache Edition, which includes lengthy rehearsal recordings (one lasts for 45 minutes, complete with English translations). Deutsche Grammophon's selection is mainly from earlier recordings made with the Stuttgart Radio Orchestra. Proceeds from both labels are given to the Celibidache Foundation for the encouragement of young musicians and a humanitarian organization he set up to assist needy people in Tibet, Romania, and other parts of the world. His own compositions include four symphonies, a piano concerto, and an orchestral suite which he recorded for UNICEF with the Stuttgart Radio Symphony Orchestra. © Roy Brewer, All Music Guide es
dc.description.tableofcontents CD7 …III Scherzo. Sehr schnell – Trio, IV Finale. Bewegt doch nicht schnell-- Te Deum (1883/84 ed. Peters); Te Deum. Allegro moderato, Te ergo. Moderato, Aeterna fac. Allegro moderato, Salvum fac. Moderato – Allegro moderato, In te Domine. Speravi. Mäβig – Allegro moderato – Alla breve-- es
dc.format.extent 60:00 min. es
dc.format.medium 1 CD Rom (60 min.,00 seg) : Stereo 4 3/4 plg es
dc.language.iso en es
dc.rights Uninorte F.M Estéreo es
dc.subject.lcc 823261116 es
dc.subject.lcsh Symphonies -- Te Deum laudamus (Music) es
dc.title Celibidache es
dc.title.alternative Symphony No. 7 (Conclusion) es
dc.title.alternative Te Deum es
dc.language.rfc3066 Eng es
dc.rights.holder EMI Records Ltd. es
dc.identifier.classification 5099908557827 es
dc.subject.cdu Celi.01 es


Files in this item

Files Length Size Format View Description
1. Symphony No ... o. Sher schnell - Trio.mp3 11:47 16.16Mb MPEG Audio Mp3
2. Symphony No ... egt doch nicht schnell.mp3 14:32 19.94Mb MPEG Audio Mp3
3. Symphony No. 7 in E (ed. Hass)- Applause.mp3 1:01 1.406Mb MPEG Audio Mp3
4. Te Deum (18 ... Deum Allegro moderato.mp3 9:38 13.22Mb MPEG Audio Mp3
5. Te Deum (18 ... ers)- Te ergo Moderato.mp3 3:36 4.935Mb MPEG Audio Mp3
6. Te Deum (18 ... a fac Allegro moderato.mp3 2:18 3.156Mb MPEG Audio Mp3
7. Te Deum (18 ... rato- Allegro moderato.mp3 9:05 12.46Mb MPEG Audio Mp3
8. Te Deum (18 ... moderato - Alla breve.mp3 7:25 10.16Mb MPEG Audio Mp3
Symphony No. 7 in E (ed. Hass)- Completo.wav 1:20:34 813.1Mb WAV audio Wav
Te Deum (1883-84 ed. Peters)- Completo.wav 62:20:23 642.0Mb WAV audio Wav

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