Clarinet Quintet op.115 - Piano Quintet op. 34

Abstract

When Clara Schumann first heard this quintet, she wrote: "It is a really marvelous work, the wailing clarinet takes hold of one; it is most moving. And what interesting music, deep and full of meaning!" These poignant words by Brahms' closest female friend belie Brahms' disingenuous comparison of the work with his earlier Clarinet Trio: "[It is] a far greater piece of foolishness." From the first movement, the music pulsates with yearning. In its opening measures are the seeds that germinate in the rest of composition, which is equally perfect in its power of evocation and its structural rigor. The autumnal mood of the work results in part from the subtle shifts throughout between the closely related keys of D major and B minor.

Most notable is the second movement Adagio, a tender love song whose wistfulness seems to reflect the entire decline of the late Romantic musical ethos. Of course there is more to this piece than its dreamlike evocations. Listen to the Presto, with its Hungarian folk-dance style and the finale's intriguing variations, the last of which returns full circle to the opening theme of the first movement. "Foolishness" indeed!