Piano Concerto 1 - Concerto Fantasy

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Piano Concerto 1 - Concerto Fantasy

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dc.contributor.other Peter Ilyich Tchaikovsky es
dc.contributor.other Peter Donohoe es
dc.contributor.other Rudolf Barshai es
dc.contributor.other Bournemouth Symphony Orchestra es
dc.contributor.other Brendan O'brien es
dc.coverage.spatial Dorset, England es
dc.date.accessioned 2012-07-28T04:04:06Z
dc.date.available 2012-07-28T04:04:06Z
dc.date.copyright 1990 es
dc.date.issued 2012-07-27
dc.identifier.uri http://hdl.handle.net/123456789/587
dc.description.abstract Pyotr Il'yich Tchaikovsky was the author of some of the most popular themes in all of classical music. He founded no school, struck out no new paths or compositional methods, and sought few innovations in his works. Yet the power and communicative sweep of his best music elevates it to classic status, even if it lacks the formal boldness and harmonic sophistication heard in the compositions of his contemporaries, Wagner and Bruckner. It was Tchaikovsky's unique melodic charm that could, whether in his Piano Concerto No. 1 or in his ballet The Nutcracker or in his tragic last symphony, make the music sound familiar on first hearing. Tchaikovsky was born into a family of five brothers and one sister. He began taking piano lessons at age four and showed remarkable talent, eventually surpassing his own teacher's abilities. By age nine, he exhibited severe nervous problems, not least because of his overly sensitive nature. The following year, he was sent to St. Petersburg to study at the School of Jurisprudence. The loss of his mother in 1854 dealt a crushing blow to the young Tchaikovsky. In 1859, he took a position in the Ministry of Justice, but longed for a career in music, attending concerts and operas at every opportunity. He finally began study in harmony with Zaremba in 1861, and enrolled at the St. Petersburg Conservatory the following year, eventually studying composition with Anton Rubinstein. In 1866, the composer relocated to Moscow, accepting a professorship of harmony at the new conservatory, and shortly afterward turned out his First Symphony, suffering, however, a nervous breakdown during its composition. His opera The Voyevoda came in 1867-1868 and he began another, The Oprichnik, in 1870, completing it two years later. Other works were appearing during this time, as well, including the First String Quartet (1871), the Second Symphony (1873), and the ballet Swan Lake (1875). In 1876, Tchaikovsky traveled to Paris with his brother, Modest, and then visited Bayreuth, where he met Liszt, but was snubbed by Wagner. By 1877, Tchaikovsky was an established composer. This was the year of Swan Lake's premiere and the time he began work on the Fourth Symphony (1877-1878). It was also a time of woe: in July, Tchaikovsky, despite his homosexuality, foolishly married Antonina Ivanovna Milyukova, an obsessed admirer, their disastrous union lasting just months. The composer attempted suicide in the midst of this episode. Near the end of that year, Nadezhda von Meck, a woman he would never meet, became his patron and frequent correspondent. Further excursions abroad came in the 1880s, along with a spate of successful compositions, including the Serenade for Strings (1881), 1812 Overture (1882), and the Fifth Symphony (1888). In both 1888 and 1889, Tchaikovsky went on successful European tours as a conductor, meeting Brahms, Grieg, Dvorák, Gounod, and other notable musical figures. Sleeping Beauty was premiered in 1890, and The Nutcracker in 1892, both with success. Throughout Tchaikovsky's last years, he was continually plagued by anxiety and depression. A trip to Paris and the United States followed one dark nervous episode in 1891. Tchaikovsky wrote his Sixth Symphony, "Pathétique," in 1893, and it was successfully premiered in October, that year. The composer died ten days later of cholera, or—as some now contend—from drinking poison in accordance with a death sentence conferred on him by his classmates from the School of Jurisprudence, who were fearful of shame on the institution owing to an alleged homosexual episode involving Tchaikovsky. © Robert Cummings, All Music Guide es
dc.description.tableofcontents CD 1 : Concert Fantasy Op. 56 ; Quasi rondo (Andante mosso), Contrastes (Andante cantabile - Molto vivace - Vivacissimo - Allegro moderato - Vivacissimo - Molto più tranquilo - Vivace)-- Piano Concerto No. 1 in B flat minor Op. 23 ; Allegro non troppo e molto maestoso - Allegro con spirito, Andantino semplice - Prestissimo - Tempo I, Allegro con fuoco. es
dc.format.medium 1 CD-Rom (64 min., 14 seg.) : stereo ; 4 3/4 pulg. es
dc.language.iso en es
dc.rights Uninorte F.M. Estéreo es
dc.subject.lcc 34958231 es
dc.subject.lcsh Piano with orchestra ; Concertos (Piano). es
dc.title Piano Concerto 1 - Concerto Fantasy es
dc.title.alternative Piano Concerto No. 1 in B flat minor Op. 23 es
dc.title.alternative Concert Fantasy Op. 56 es
dc.language.rfc3066 eng es
dc.rights.holder EMI Records Ltd. es
dc.identifier.classification 0077774993920 es
dc.subject.cdu Ts.10 es


Files in this item

Files Length Size Format View Description
1. Concert Fant ... rondo (Andante mosso).mp3 15:06 10.35Mb Unknown Mp3
2. Concert Fantasy Op. 56-Contrastes.mp3 12:52 8.816Mb Unknown Mp3
3. Piano Concer ... po-Allegro con spirito.mp3 21:23 14.65Mb Unknown Mp3
4. Piano Concer ... ntino semplice-Tempo I.mp3 7:31 5.149Mb Unknown Mp3
5. Piano Concer ... inor-Allegro con fuoco.mp3 6:56 4.748Mb Unknown Mp3
Concert Fantasy Op. 56-Completo.wav 27:55 281.7Mb WAV audio WAV
Piano Concerto ... ro non troppo-Completo.wav 35:44 360.6Mb WAV audio WAV

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