Bach Edition - Cantatas / Kantaten BWV 46, 107 & 179

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Bach Edition - Cantatas / Kantaten BWV 46, 107 & 179

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dc.contributor.other Johann Sebastian Bach es
dc.contributor.other Holland Boys Choir es
dc.contributor.other Netherlands Bach Collegium es
dc.contributor.other Pieter Jan Leusink es
dc.date.accessioned 2012-07-28T13:53:51Z
dc.date.available 2012-07-28T13:53:51Z
dc.date.issued 2012-07-28
dc.identifier.uri http://hdl.handle.net/123456789/913
dc.description.abstract Johann Sebastian Bach was better known as a virtuoso organist than as a composer in his day. His sacred music, organ and choral works, and other instrumental music had an enthusiasm and seeming freedom that concealed immense rigor. Bach's use of counterpoint was brilliant and innovative, and the immense complexities of his compositional style—which often included religious and numerological symbols that seem to fit perfectly together in a profound puzzle of special codes—still amaze musicians today. Many consider him the greatest composer of all time. Bach was born in Eisenach in 1685. He was taught to play the violin and harpsichord by his father, Johann Ambrosius, a court trumpeter in the service of the Duke of Eisenach. Young Johann was not yet ten when his father died, leaving him orphaned. He was taken in by his recently married oldest brother, Johann Christoph, who lived in Ohrdruf. Because of his excellent singing voice, Bach attained a position at the Michaelis monastery at Lüneberg in 1700. His voice changed a short while later, but he stayed on as an instrumentalist. After taking a short-lived post in Weimar in 1703 as a violinist, Bach became organist at the Neue Kirche in Arnstadt (1703-1707). His relationship with the church council was tenuous as the young musician often shirked his responsibilities, preferring to practice the organ. One account describes a four-month leave granted Bach, to travel to Lubeck where he would familiarize himself with the music of Dietrich Buxtehude. He returned to Arnstadt long after was expected and much to the dismay of the council. He then briefly served at St. Blasius in Mühlhausen as organist, beginning in June 1707, and married his cousin, Maria Barbara Bach, that fall. Bach composed his famous Toccata and Fugue in D minor (BWV 565) and his first cantatas while in Mühlhausen, but quickly outgrew the musical resources of the town. He next took a post for the Duke of Sachsen-Weimar in 1708, serving as court organist and playing in the orchestra, eventually becoming its leader in 1714. He wrote many organ compositions during this period, including his Orgel-Büchlein. Owing to politics between the Duke and his officials, Bach left Weimar and secured a post in December 1717 as Kapellmeister at Cöthen. In 1720, Bach's wife suddenly died, leaving him with four children (three others had died in infancy). A short while later, he met his second wife, soprano Anna Magdalena Wilcke, whom he married in December 1721. She would bear 13 children, though only five would survive childhood. The six Brandenburg Concertos (BWV 1046-51), among many other secular works, date from his Cöthen years. Bach became Kantor of the Thomas School in Leipzig in May 1723 and held the post until his death. It was in Leipzig that he composed the bulk of his religious and secular cantatas. Bach eventually became dissatisfied with this post, not only because of its meager financial rewards, but also because of onerous duties and inadequate facilities. Thus, he took on other projects, chief among which was the directorship of the city's Collegium Musicum, an ensemble of professional and amateur musicians who gave weekly concerts, in 1729. He also became music director at the Dresden Court in 1736, in the service of Frederick Augustus II; though his duties were vague and apparently few, they allowed him freedom to compose what he wanted. Bach began making trips to Berlin in the 1740s, not least because his son Carl Philipp Emanuel served as a court musician there. In May 1747, the composer was warmly received by King Frederick II of Prussia, for whom he wrote the gloriously abstruse Musical Offering (BWV 1079). Among Bach's last works was his 1749 Mass in B minor. Besieged by diabetes, he died on July 28, 1750. © Robert Cummings, All Music Guide es
dc.description.tableofcontents CD 21 ; Vol. III-- Schauet doch und sehet, ob irgend ein Schmerz sei BWV 46 ; Coro 'Schauet doch und sehet, ob irgend ein Schmerz sei', Recitativo 'So klage du, zerstörte Gottessdat', Aria 'Dein Wetter zog sich auf von weiten', Recitativo 'Doch bildet euch', Aria 'Doch Jesus will auch bei der Strafe', Choral 'O groBer Gott der Treu'-- Was willst du dich betrüben BWV 107 ; Coro 'Was willst du dich betrüben', Recitativo 'Denn Gott verlasset keinen', Aria 'Auf ihn magst du es wagen', Aria 'Wrnn auch gleich aus der Höllen', Aria 'Er richts zu seinen Ehren', Aria 'Drum ich mich ihm ergebe', Choral 'Herr, gib, daB ich dein Ehre'-- Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei BWV 179 ; Coro 'Siehe zu, daB deine Gottesfurcht', Recitativo 'Das heut'ge Christentum', Aria 'Falscher Heuchler Ebenbild', Recitativo ' wer so von innen wie von auBen ist', Aria 'Liebster Gott, erbarme dich', Choral 'Ich armer Mensch, ich armer Sünder'. es
dc.format.medium 1 CD-Rom (51 min., 23 seg.) : stereo ; 4 3/4 pulg. es
dc.language.iso en es
dc.rights Uninorte F.M. Estéreo es
dc.subject.lcc 5028421102665 es
dc.subject.lcsh Cantatas, Sacred. es
dc.title Bach Edition - Cantatas / Kantaten BWV 46, 107 & 179 es
dc.title.alternative Schauet doch und sehet, ob irgend ein Schmerz sei BWV 46 es
dc.title.alternative Was willst du dich betrüben BWV 107 es
dc.title.alternative Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei BWV 179 es
dc.title.alternative Cantatas es
dc.title.alternative Kantaten es
dc.language.rfc3066 eng es
dc.identifier.classification 5028421102672 es
dc.subject.cdu Ba.27 es


Files in this item

Files Length Size Format View Description
1. Schuaet doch ... chmerz sei BWV 46-Coro.mp3 5:50 3.999Mb Unknown Mp3
2. Schuaet doch ... sei BWV 46-Recitativo.mp3 1:47 1.222Mb Unknown Mp3
3. Schuaet doch ... chmerz sei BWV 46-Aria.mp3 4:00 2.738Mb Unknown Mp3
4. Schuaet doch ... sei BWV 46-Recitativo.mp3 45 527.3Kb Unknown Mp3
5. Schuaet doch ... chmerz sei BWV 46-Aria.mp3 4:07 2.823Mb Unknown Mp3
6. Schuaet doch ... merz sei BWV 46-Choral.mp3 1:17 901.1Kb Unknown Mp3
7. Was willst du dich betrüben BWV 107-Coro.mp3 4:01 2.757Mb Unknown Mp3
8. Was willst d ... ben BWV 107-Recitativo.mp3 1:07 784.0Kb Unknown Mp3
9. Was willst du dich betrüben BWV 107-Aria.mp3 3:04 2.104Mb Unknown Mp3
10. Was willst du dich betrüben BWV 107-Aria.mp3 3:04 2.103Mb Unknown Mp3
11. Was willst du dich betrüben BWV 107-Aria.mp3 2:36 1.784Mb Unknown Mp3
12. Was willst du dich betrüben BWV 107-Aria.mp3 2:37 1.797Mb Unknown Mp3
13. Was willst du dich betrüben BWV 107-Choral.mp3 1:56 1.328Mb Unknown Mp3
14. Siehe zu, d ... ucelei sei BWV 46-Coro.mp3 2:38 1.805Mb Unknown Mp3
15. Siehe zu, d ... sei BWV 46-Recitativo.mp3 1:11 831.1Kb Unknown Mp3
16. Siehe zu, d ... ucelei sei BWV 46-Aria.mp3 3:20 2.285Mb Unknown Mp3
17. Siehe zu, d ... sei BWV 46-Recitativo.mp3 1:45 1.195Mb Unknown Mp3
18. Siehe zu, d ... ucelei sei BWV 46-Aria.mp3 5:28 3.748Mb Unknown
19. Siehe zu, d ... elei sei BWV 46-Choral.mp3 1:08 792.0Kb Unknown Mp3
Schuaet doch un ... rz sei BWV 46-Completo.wav 17:31 176.7Mb WAV audio WAV
Was willst du dich betrüben BWV 107-Completo.wav 18:08 183.0Mb WAV audio WAV
Siehe zu, daB d ... ei sei BWV 46-Completo.wav 15:14 153.8Mb WAV audio WAV

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